Laura Mulvey
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Erscheint vorauss. 13. November 2025
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Laura Mulvey's importance and influence as a feminist filmmaker and theorist are explored in depth with critical essays by scholars, new conversations with filmmakers and thinkers, and previously unpublished writings by Mulvey herself.

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Produktbeschreibung
Laura Mulvey's importance and influence as a feminist filmmaker and theorist are explored in depth with critical essays by scholars, new conversations with filmmakers and thinkers, and previously unpublished writings by Mulvey herself.
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Autorenporträt
Kimberly Lamm is Associate Professor of Gender, Sexuality & Feminist Studies at Duke University, USA. She is author of Addressing the Other Woman: Textual Correspondences in Feminist Art and Writing (2018). Anna Backman Rogers is Professor of Aesthetics, Culture and Feminist Theory at the University of Gothenburg, Sweden. Her previous publications include American Independent Cinema: Rites of Passage and The Crisis-Image (2015), Sofia Coppola: The Politics of Visual Pleasure (2019), Still Life: Notes on Barbara Loden's Wanda (2020), and Picnic at Hanging Rock (BFI Film Classics, 2022). She is also the co-editor of three books on feminism and visual culture with Laura Mulvey and Boel Ulfsdotter respectively. She is the founder and editor-in-chief of MAI: FEMINISM AND VISUAL CULTURE. Laura Mulvey is Professor of Film and Media Studies at Birkbeck College, University of London, UK. She is the author of Fetishism and Curiosity (1996), Death Twenty-four Times a Second: Stillness and the Moving Image (2006), and Visual and Other Pleasures (2nd edition, 2010).