"Estrin's readings are intricate and persuasive, and revealing. Her writing, at once deeply poetic and nuanced, is extremely clear. She argues for a kind of fluidity of the poetic subject that allows for gender crossings and transgressions; the resulting exploration of male subjectivity and feminine representations is immensely suggestive and potentially provocative."--Elizabeth D. Harvey, University of Western Ontario
"Estrin's readings are intricate and persuasive, and revealing. Her writing, at once deeply poetic and nuanced, is extremely clear. She argues for a kind of fluidity of the poetic subject that allows for gender crossings and transgressions; the resulting exploration of male subjectivity and feminine representations is immensely suggestive and potentially provocative."--Elizabeth D. Harvey, University of Western OntarioHinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Barbara L. Estrin is Professor of English at Stonehill College in North Easton, Massachusetts. She is the author of The Raven and the Lark: Lost Children in Literature of the English Renaissance.
Inhaltsangabe
Acknowledgments xi Note on Editions xiv Introduction: Gender Performance and Genre Slippage 1 PETRARCH Inverting the Order: Laura as Eve to Petrarch's Adam 41 "Like a Man Who Thinks and Weeps and Writes": Laura as Mercury to Petrarch's Battus 61 WYATT Taking Bread: Wyatt's Revenge in the Lyrics and Sustenance in the Psalms 93 "Liking This": Telling Wyatt's Feelings 123 DONNE Small Change: Defections from Petrarchan and Spenserian Poetics 149 Sylvia Transformed: Returning Donne's Gifts 180 "A Pregnant Bank": Contracting and Abstracting the "You" in Donne's "A Valediction of My Name in the Window" and "Elegy: Change" 201 MARVELL "Busie Companies of Men": Appropriations of Female Power in "Damon the Mower" and "The Gallery" 227 "Preparing for Longer Flight": Marvell's Nymph and the Revenge of Silence 255 A-Mazing and A-Musing: After the Garden in "Appleton House" 278 Musing Afterward 304 Notes 319 Index 341
Acknowledgments xi Note on Editions xiv Introduction: Gender Performance and Genre Slippage 1 PETRARCH Inverting the Order: Laura as Eve to Petrarch's Adam 41 "Like a Man Who Thinks and Weeps and Writes": Laura as Mercury to Petrarch's Battus 61 WYATT Taking Bread: Wyatt's Revenge in the Lyrics and Sustenance in the Psalms 93 "Liking This": Telling Wyatt's Feelings 123 DONNE Small Change: Defections from Petrarchan and Spenserian Poetics 149 Sylvia Transformed: Returning Donne's Gifts 180 "A Pregnant Bank": Contracting and Abstracting the "You" in Donne's "A Valediction of My Name in the Window" and "Elegy: Change" 201 MARVELL "Busie Companies of Men": Appropriations of Female Power in "Damon the Mower" and "The Gallery" 227 "Preparing for Longer Flight": Marvell's Nymph and the Revenge of Silence 255 A-Mazing and A-Musing: After the Garden in "Appleton House" 278 Musing Afterward 304 Notes 319 Index 341
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