"Estrin's readings are intricate and persuasive, and revealing. Her writing, at once deeply poetic and nuanced, is extremely clear. She argues for a kind of fluidity of the poetic subject that allows for gender crossings and transgressions; the resulting exploration of male subjectivity and feminine representations is immensely suggestive and potentially provocative."--Elizabeth D. Harvey, University of Western Ontario
"Estrin's readings are intricate and persuasive, and revealing. Her writing, at once deeply poetic and nuanced, is extremely clear. She argues for a kind of fluidity of the poetic subject that allows for gender crossings and transgressions; the resulting exploration of male subjectivity and feminine representations is immensely suggestive and potentially provocative."--Elizabeth D. Harvey, University of Western OntarioHinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Acknowledgments xi Note on Editions xiv Introduction: Gender Performance and Genre Slippage 1 PETRARCH Inverting the Order: Laura as Eve to Petrarch's Adam 41 "Like a Man Who Thinks and Weeps and Writes": Laura as Mercury to Petrarch's Battus 61 WYATT Taking Bread: Wyatt's Revenge in the Lyrics and Sustenance in the Psalms 93 "Liking This": Telling Wyatt's Feelings 123 DONNE Small Change: Defections from Petrarchan and Spenserian Poetics 149 Sylvia Transformed: Returning Donne's Gifts 180 "A Pregnant Bank": Contracting and Abstracting the "You" in Donne's "A Valediction of My Name in the Window" and "Elegy: Change" 201 MARVELL "Busie Companies of Men": Appropriations of Female Power in "Damon the Mower" and "The Gallery" 227 "Preparing for Longer Flight": Marvell's Nymph and the Revenge of Silence 255 A-Mazing and A-Musing: After the Garden in "Appleton House" 278 Musing Afterward 304 Notes 319 Index 341
Acknowledgments xi Note on Editions xiv Introduction: Gender Performance and Genre Slippage 1 PETRARCH Inverting the Order: Laura as Eve to Petrarch's Adam 41 "Like a Man Who Thinks and Weeps and Writes": Laura as Mercury to Petrarch's Battus 61 WYATT Taking Bread: Wyatt's Revenge in the Lyrics and Sustenance in the Psalms 93 "Liking This": Telling Wyatt's Feelings 123 DONNE Small Change: Defections from Petrarchan and Spenserian Poetics 149 Sylvia Transformed: Returning Donne's Gifts 180 "A Pregnant Bank": Contracting and Abstracting the "You" in Donne's "A Valediction of My Name in the Window" and "Elegy: Change" 201 MARVELL "Busie Companies of Men": Appropriations of Female Power in "Damon the Mower" and "The Gallery" 227 "Preparing for Longer Flight": Marvell's Nymph and the Revenge of Silence 255 A-Mazing and A-Musing: After the Garden in "Appleton House" 278 Musing Afterward 304 Notes 319 Index 341
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