Producing new readings of Laurence Sterne's Tristram Shandy by considering its visual effects in the context of broader eighteenth-century print developments, this analysis of the design history of the novel will be of great interest to students and scholars of eighteenth-century studies and literature, book design, and print history alike.
Producing new readings of Laurence Sterne's Tristram Shandy by considering its visual effects in the context of broader eighteenth-century print developments, this analysis of the design history of the novel will be of great interest to students and scholars of eighteenth-century studies and literature, book design, and print history alike.
Helen Williams is a Senior Lecturer in English at Northumbria University, researching eighteenth-century literature and book history. She has co-edited John Cleland's Memoirs of a Woman of Pleasure (2018) and has won a British Academy Rising Star Engagement Award (2019) for her work on the novel in the hand-press period.
Inhaltsangabe
1. Hands 2. The Black Page 3. The Sermon 4. The Marbled Page 5. Footnotes and Catchwords 6. Engraved Lines.