'Le Bel Épy qui foisonne'
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This book brings together essays from scholars working on the first century of French print culture, with a particular focus on the networks formed by authors, editors, translators and printers in the earliest years of print technology. The volume is structured around the themes of collection and translation. The first part of the book examines the gathering of sources, the creation of anthologies and collections and the efforts of collectors to create a legacy. The second part deals with translation and the ways in which editors present a text to a new audience, either in a different…mehr

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Produktbeschreibung
This book brings together essays from scholars working on the first century of French print culture, with a particular focus on the networks formed by authors, editors, translators and printers in the earliest years of print technology. The volume is structured around the themes of collection and translation. The first part of the book examines the gathering of sources, the creation of anthologies and collections and the efforts of collectors to create a legacy. The second part deals with translation and the ways in which editors present a text to a new audience, either in a different language, as part of a different culture or through images that translate the text visually. Together, the essays raise important questions about early modern French culture, revealing how texts are the products both of the networks that create them and of those that distribute, read and interpret them after publication.
Autorenporträt
Catherine Emerson worked at the University of Hull and Trinity College Dublin before becoming a lecturer in French at the National University of Ireland, Galway. Her research focuses on the literature of the fifteenth-century Burgundian court and its transmission in the era of print. She is interested in the literature and culture of multilingual societies and has also published on Belgian cultural identities.