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From the internationally bestselling author of Reservoir 13, this thrilling new novel of an Antarctica expedition gone wrong and its far-reaching consequences "leaves the reader moved and subtly changed, as if she had become part of the story" (Hilary Mantel). Remember the training: find shelter or make shelter, remain in place, establish contact with other members of the party, keep moving, keep calm. Robert 'Doc' Wright, a veteran of Antarctic surveying, was there on the ice when the worst happened. He holds within him the complete story of that night--but depleted by the disaster, Wright is no longer able to communicate the truth. Instead, in the wake of the catastrophic expedition, he faces the most daunting adventure of his life: learning a whole new way to be in the world. Meanwhile Anna, his wife, must suddenly scramble to navigate the sharp and unexpected contours of life as a caregiver. From the Booker Prize-longlisted, American Academy of Arts & Letters Award-winning author of Reservoir 13, this is a novel every bit as mesmerizing as its setting. Tenderly unraveling different notions of heroism through the rippling effects of one extraordinary expedition on an ordinary family, Lean, Fall, Stand explores the indomitable human impulse to turn our experiences into stories--even when the words may fail us.
Praise for Lean Fall Stand:
'Gripping, moving, magnificent' Kamila Shamsie, author of Home Fire
'Jon McGregor has crafted a unique narrative, encompassing frozen wastes & altered interior landscapes. The most gripping piece of writing I've read in a long time: Sit. Read. Applaud' Jarvis Cocker
'Utterly original. Jaw-dropping. The sort of book you'll think about for ages' Paula Hawkins, author of Girl on the Train
'Another McGregor novel that, beneath its serene surface, takes huge risks ... Fortunately, it's also another McGregor novel that triumphantly gets away with it' The Times
'Lean Fall Stand is a beautiful piece of work and should win a roomful of prizes. Jon McGregor writes plainly and exactly, like a poet, and the precision of his writing makes every heartbeat register' Hilary Mantel, author of The Mirror and the Light
'A spectacular book ... It does what Jon McGregor does so well: examine the widening ripples of a single event. I read it again, as soon as I'd finished'
Maggie O'Farrell, author of Hamnet
'Opens as excitingly as any work of fiction I've recently read ... It's extraordinarily tense and atmospheric - and McGregor's prose is tight as a wire' Telegraph
'Exceptional. ... So moving, and the use of language is remarkable. I absolutely loved it' David Nicholls, author of Sweet Sorrow
'A genuinely fascinating book and a troubling, riveting reading experience. A bold and masterful investigation into the weather system of the human mind' Max Porter, author of The Death of Francis Bacon
'A genuine masterpiece: poised, multilayered and full of the most astonishingly beautiful prose' Alex Preston, Observer
'McGregor's precise, well-judged prose attests to both the power of language and to the havoc created by its loss' Financial Times
'Gripping, moving, magnificent' Kamila Shamsie, author of Home Fire
'Jon McGregor has crafted a unique narrative, encompassing frozen wastes & altered interior landscapes. The most gripping piece of writing I've read in a long time: Sit. Read. Applaud' Jarvis Cocker
'Utterly original. Jaw-dropping. The sort of book you'll think about for ages' Paula Hawkins, author of Girl on the Train
'Another McGregor novel that, beneath its serene surface, takes huge risks ... Fortunately, it's also another McGregor novel that triumphantly gets away with it' The Times
'Lean Fall Stand is a beautiful piece of work and should win a roomful of prizes. Jon McGregor writes plainly and exactly, like a poet, and the precision of his writing makes every heartbeat register' Hilary Mantel, author of The Mirror and the Light
'A spectacular book ... It does what Jon McGregor does so well: examine the widening ripples of a single event. I read it again, as soon as I'd finished'
Maggie O'Farrell, author of Hamnet
'Opens as excitingly as any work of fiction I've recently read ... It's extraordinarily tense and atmospheric - and McGregor's prose is tight as a wire' Telegraph
'Exceptional. ... So moving, and the use of language is remarkable. I absolutely loved it' David Nicholls, author of Sweet Sorrow
'A genuinely fascinating book and a troubling, riveting reading experience. A bold and masterful investigation into the weather system of the human mind' Max Porter, author of The Death of Francis Bacon
'A genuine masterpiece: poised, multilayered and full of the most astonishingly beautiful prose' Alex Preston, Observer
'McGregor's precise, well-judged prose attests to both the power of language and to the havoc created by its loss' Financial Times
'Gripping, moving, magnificent' Kamila Shamsie, author of Home Fire
'Jon McGregor has crafted a unique narrative, encompassing frozen wastes & altered interior landscapes. The most gripping piece of writing I've read in a long time: Sit. Read. Applaud' Jarvis Cocker
'Utterly original. Jaw-dropping. The sort of book you'll think about for ages' Paula Hawkins, author of Girl on the Train
'Another McGregor novel that, beneath its serene surface, takes huge risks ... Fortunately, it's also another McGregor novel that triumphantly gets away with it' The Times
'Lean Fall Stand is a beautiful piece of work and should win a roomful of prizes. Jon McGregor writes plainly and exactly, like a poet, and the precision of his writing makes every heartbeat register' Hilary Mantel, author of The Mirror and the Light
'A spectacular book ... It does what Jon McGregor does so well: examine the widening ripples of a single event. I read it again, as soon as I'd finished'
Maggie O'Farrell, author of Hamnet
'Opens as excitingly as any work of fiction I've recently read ... It's extraordinarily tense and atmospheric - and McGregor's prose is tight as a wire' Telegraph
'Exceptional. ... So moving, and the use of language is remarkable. I absolutely loved it' David Nicholls, author of Sweet Sorrow
'A genuinely fascinating book and a troubling, riveting reading experience. A bold and masterful investigation into the weather system of the human mind' Max Porter, author of The Death of Francis Bacon
'A genuine masterpiece: poised, multilayered and full of the most astonishingly beautiful prose' Alex Preston, Observer
'McGregor's precise, well-judged prose attests to both the power of language and to the havoc created by its loss' Financial Times
'Jon McGregor has crafted a unique narrative, encompassing frozen wastes & altered interior landscapes. The most gripping piece of writing I've read in a long time: Sit. Read. Applaud' Jarvis Cocker
'Utterly original. Jaw-dropping. The sort of book you'll think about for ages' Paula Hawkins, author of Girl on the Train
'Another McGregor novel that, beneath its serene surface, takes huge risks ... Fortunately, it's also another McGregor novel that triumphantly gets away with it' The Times
'Lean Fall Stand is a beautiful piece of work and should win a roomful of prizes. Jon McGregor writes plainly and exactly, like a poet, and the precision of his writing makes every heartbeat register' Hilary Mantel, author of The Mirror and the Light
'A spectacular book ... It does what Jon McGregor does so well: examine the widening ripples of a single event. I read it again, as soon as I'd finished'
Maggie O'Farrell, author of Hamnet
'Opens as excitingly as any work of fiction I've recently read ... It's extraordinarily tense and atmospheric - and McGregor's prose is tight as a wire' Telegraph
'Exceptional. ... So moving, and the use of language is remarkable. I absolutely loved it' David Nicholls, author of Sweet Sorrow
'A genuinely fascinating book and a troubling, riveting reading experience. A bold and masterful investigation into the weather system of the human mind' Max Porter, author of The Death of Francis Bacon
'A genuine masterpiece: poised, multilayered and full of the most astonishingly beautiful prose' Alex Preston, Observer
'McGregor's precise, well-judged prose attests to both the power of language and to the havoc created by its loss' Financial Times