Alva Noe (Professor of Philosophy, Professor of Philosophy, Univers
Learning to Look
Dispatches from the Art World
Alva Noe (Professor of Philosophy, Professor of Philosophy, Univers
Learning to Look
Dispatches from the Art World
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Learning to Look is a collection of short and accessible essays on how we experience art. In each chapter, Alva Noë starts from an experience of a particular artwork and from there shows how these works open new questions about philosophy, science, and ourselves. This is a companion work to Noe's 2019 volume, Infinite Baseball.
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Learning to Look is a collection of short and accessible essays on how we experience art. In each chapter, Alva Noë starts from an experience of a particular artwork and from there shows how these works open new questions about philosophy, science, and ourselves. This is a companion work to Noe's 2019 volume, Infinite Baseball.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Oxford University Press Inc
- Seitenzahl: 216
- Erscheinungstermin: 11. Januar 2022
- Englisch
- Abmessung: 183mm x 135mm x 21mm
- Gewicht: 272g
- ISBN-13: 9780190928216
- ISBN-10: 0190928212
- Artikelnr.: 61264613
- Verlag: Oxford University Press Inc
- Seitenzahl: 216
- Erscheinungstermin: 11. Januar 2022
- Englisch
- Abmessung: 183mm x 135mm x 21mm
- Gewicht: 272g
- ISBN-13: 9780190928216
- ISBN-10: 0190928212
- Artikelnr.: 61264613
Alva Noë is a writer and a philosopher living in Berkeley and New York. He works on the nature of mind and human experience. He is the author of Action in Perception (2004); Out of Our Heads (2009); Varieties of Presence (2012); and Strange Tools (2015). His latest book is Infinite Baseball: Notes from a Philosopher at the Ballpark (2019). Alva received his Ph.D. from Harvard in 1995 and is Professor of Philosophy at the University of California, Berkeley, where he is also a member of the Institute for Cognitive and Brain Sciences and the Center for New Media. He previously was a Distinguished Professor of Philosophy at the Graduate Center of the City University of New York. He has been philosopher-in-residence with The Forsythe Company and has also collaborated creatively with dance artists Deborah Hay, Nicole Peisl, Jess Curtis, Claire Cunningham, Katye Coe, and Charlie Morrissey. Alva is a 2012 recipient of a Guggenheim fellowship and a former fellow of the Wissenschaftskolleg zu Berlin. He is a 2018 recipient of the Judd/Hume Prize in Advanced Visual Studies.
Preface
Encounters
1 Soup is an anagram of opus
2 I am sitting in a room
3 40 speakers in a room
4 Two left hands
5 Rock art
6 The power of performance
7 Cheap thrills at the Whitney
8 Whaling with Turner
9 Take my breath away
10 Speak, draw, dance
11 Beach beasts on the move
11 Making the work work
13 Irrational man
14 RoboCop's philosophers
15 Pointing the way to liberation, in Star Trek: Voyager
16 An Awkward Synthesis
Pictures
17 The anatomy lesson
18 The importance of being dressed
19 The art of the brain
20 Faces and masks
21 The philosophical eye
22 The camera and the dance
23 Why are 3-D movies so bad?
24 The myth of 3-D immersion
25 Storying telling and the "uncanny valley"
26 Peering into Rembrandt's eyes
27 This is no zoo
Art's Nature
28 Coughing and the meaning of art
29 Is it okay if art is boring?
30 The opportunity of boredom
31 Art placebo
32 Are works of art relics?
33 Reproductions in the age of originality
34 Who is Vermeer?
35 How to love a fake
36 Monuments
37 Mind in the natural world: Can physics explain it?
Nature's art
38 Aesthetic evolution
39 Bowie, cheesecake, sex, and the meaning of music
40 Dylan's literature
41 What's new is old
42 The performance art of David Bowie, a remembrance
43 All Things Shining
44 You say 'tomato'
45 What is a fact?
46 Streams of memes
47 Adele in the goldilocks zone
48 Art at the limits of neuroscience
Acknowledgements
Encounters
1 Soup is an anagram of opus
2 I am sitting in a room
3 40 speakers in a room
4 Two left hands
5 Rock art
6 The power of performance
7 Cheap thrills at the Whitney
8 Whaling with Turner
9 Take my breath away
10 Speak, draw, dance
11 Beach beasts on the move
11 Making the work work
13 Irrational man
14 RoboCop's philosophers
15 Pointing the way to liberation, in Star Trek: Voyager
16 An Awkward Synthesis
Pictures
17 The anatomy lesson
18 The importance of being dressed
19 The art of the brain
20 Faces and masks
21 The philosophical eye
22 The camera and the dance
23 Why are 3-D movies so bad?
24 The myth of 3-D immersion
25 Storying telling and the "uncanny valley"
26 Peering into Rembrandt's eyes
27 This is no zoo
Art's Nature
28 Coughing and the meaning of art
29 Is it okay if art is boring?
30 The opportunity of boredom
31 Art placebo
32 Are works of art relics?
33 Reproductions in the age of originality
34 Who is Vermeer?
35 How to love a fake
36 Monuments
37 Mind in the natural world: Can physics explain it?
Nature's art
38 Aesthetic evolution
39 Bowie, cheesecake, sex, and the meaning of music
40 Dylan's literature
41 What's new is old
42 The performance art of David Bowie, a remembrance
43 All Things Shining
44 You say 'tomato'
45 What is a fact?
46 Streams of memes
47 Adele in the goldilocks zone
48 Art at the limits of neuroscience
Acknowledgements
Preface
Encounters
1 Soup is an anagram of opus
2 I am sitting in a room
3 40 speakers in a room
4 Two left hands
5 Rock art
6 The power of performance
7 Cheap thrills at the Whitney
8 Whaling with Turner
9 Take my breath away
10 Speak, draw, dance
11 Beach beasts on the move
11 Making the work work
13 Irrational man
14 RoboCop's philosophers
15 Pointing the way to liberation, in Star Trek: Voyager
16 An Awkward Synthesis
Pictures
17 The anatomy lesson
18 The importance of being dressed
19 The art of the brain
20 Faces and masks
21 The philosophical eye
22 The camera and the dance
23 Why are 3-D movies so bad?
24 The myth of 3-D immersion
25 Storying telling and the "uncanny valley"
26 Peering into Rembrandt's eyes
27 This is no zoo
Art's Nature
28 Coughing and the meaning of art
29 Is it okay if art is boring?
30 The opportunity of boredom
31 Art placebo
32 Are works of art relics?
33 Reproductions in the age of originality
34 Who is Vermeer?
35 How to love a fake
36 Monuments
37 Mind in the natural world: Can physics explain it?
Nature's art
38 Aesthetic evolution
39 Bowie, cheesecake, sex, and the meaning of music
40 Dylan's literature
41 What's new is old
42 The performance art of David Bowie, a remembrance
43 All Things Shining
44 You say 'tomato'
45 What is a fact?
46 Streams of memes
47 Adele in the goldilocks zone
48 Art at the limits of neuroscience
Acknowledgements
Encounters
1 Soup is an anagram of opus
2 I am sitting in a room
3 40 speakers in a room
4 Two left hands
5 Rock art
6 The power of performance
7 Cheap thrills at the Whitney
8 Whaling with Turner
9 Take my breath away
10 Speak, draw, dance
11 Beach beasts on the move
11 Making the work work
13 Irrational man
14 RoboCop's philosophers
15 Pointing the way to liberation, in Star Trek: Voyager
16 An Awkward Synthesis
Pictures
17 The anatomy lesson
18 The importance of being dressed
19 The art of the brain
20 Faces and masks
21 The philosophical eye
22 The camera and the dance
23 Why are 3-D movies so bad?
24 The myth of 3-D immersion
25 Storying telling and the "uncanny valley"
26 Peering into Rembrandt's eyes
27 This is no zoo
Art's Nature
28 Coughing and the meaning of art
29 Is it okay if art is boring?
30 The opportunity of boredom
31 Art placebo
32 Are works of art relics?
33 Reproductions in the age of originality
34 Who is Vermeer?
35 How to love a fake
36 Monuments
37 Mind in the natural world: Can physics explain it?
Nature's art
38 Aesthetic evolution
39 Bowie, cheesecake, sex, and the meaning of music
40 Dylan's literature
41 What's new is old
42 The performance art of David Bowie, a remembrance
43 All Things Shining
44 You say 'tomato'
45 What is a fact?
46 Streams of memes
47 Adele in the goldilocks zone
48 Art at the limits of neuroscience
Acknowledgements