- Gebundenes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
Collection of critical essays and performance pieces by pioneering feminist performance artist Suzanne Lacy.
Andere Kunden interessierten sich auch für
![Art & Language International]( "Art & Language International")
Robert BaileyArt & Language International116,99 €![Extra/Ordinary]( "Extra/Ordinary")
Extra/Ordinary117,99 €![One and Five Ideas]( "One and Five Ideas")
Terry SmithOne and Five Ideas108,99 €![Art to Come]( "Art to Come")
Terry SmithArt to Come132,99 €![How to Make Art at the End of the World]( "How to Make Art at the End of the World")
Natalie LovelessHow to Make Art at the End of the World103,99 €![The Daily Zoo Year 2]( "The Daily Zoo Year 2")
Chris AyersThe Daily Zoo Year 226,99 €![Writings on Art]( "Writings on Art")
Mark RothkoWritings on Art40,99 €-
-
-
Collection of critical essays and performance pieces by pioneering feminist performance artist Suzanne Lacy.
Produktdetails
- Produktdetails
- Verlag: Duke University Press
- Seitenzahl: 424
- Erscheinungstermin: 24. August 2010
- Englisch
- Abmessung: 236mm x 157mm x 36mm
- Gewicht: 880g
- ISBN-13: 9780822345527
- ISBN-10: 0822345528
- Artikelnr.: 30363478
- Verlag: Duke University Press
- Seitenzahl: 424
- Erscheinungstermin: 24. August 2010
- Englisch
- Abmessung: 236mm x 157mm x 36mm
- Gewicht: 880g
- ISBN-13: 9780822345527
- ISBN-10: 0822345528
- Artikelnr.: 30363478
Suzanne Lacy
Illustrations ix
Preface xiii
Acknowledgments xv
Introduction. Suzanne Lacy: Three Decades of Performing and Writing/Writing
and Performing / Moira Roth xvii
Part 1. Learning to Look: The Seventies
Introduction 2
1. Prostitution Notes (1974) 5
2. Falling Apart (1980) 20
3. Body Contract (1974) 30
Photo Essay. Learn Where the Meat Comes From (1976) 43
4. Cinderella in a Dragster (1977) 48
5. The Bag Lady: On Memory (1982) 52
6. The Life and Times of Donaldina Cameron (with Linda Palumbo and Kathleen
Chang) (1978) 57
7. In Mourning and In Rage (With Analysis Aforethought) (1978) 64
8. Learning to Look: The Relationship between Art and Popular Culture
Images (with Leslie Labowitz) (1970) 72
9. Feminist Artists: Developing a Media Strategy for the Movement (with
Leslie Labowitz) (1981) 83
10. Time, Bones, and Art: Anatomy of a Decade (1995) 92
Part 2. Political Performance Art: The Eighties
Introduction 108
11. Broomsticks and Banners: The Winds of Change (1980) 109
12. The Greening of California Performance: Art of Social Change—A Case
Study (1982) 114
13. Made for TV: California Performance in Mass Media (1982) 120
14. Battle of New Orleans (1980) 126
15. Beneath the Seams (1982) 137
16. In the Shadows: An Analysis of The Dark Madonna (1990) 144
17. Political Performance Art: A Discussion by Suzanne Lacy and Lucy R.
Lippard (1985) 151
Part 3. Debated Territory: The Nineties
Introduction 160
18. The Name of the Game (1991) 161
19. Debated Territory: Toward a Critical Language for Public Art (1994) 172
20. Affinities: Thoughts on an Incomplete History (1994) 185
21. Love, Cancer, Memory: A Few Stories (1996) 194
22. Cancer Notes (with Leslie Becker) (1995) 211
23. What It Takes (with Ann Wettrich) (2002) 222
Part 4. Leaving Art: After 2000
Introduction 236
24. The Skin of Memory/La Piel de la Memoria (with Pilar Riaño-Alcalá)
(2006) 237
25. Seeking an American Identity (Working Inward from the Margins) (2003)
250
26. Cop in the Head, Cop in the Street (2006) 267
27. Having It Good: Reflections on Engaged Art and Engaged Buddhism (2005)
284
28. Hard Work in a Working-Class Town (2006) 300
29. Tracing Allan Kaprow (2007) 319
Afterword: In ter ceptions and In tensions—Situating Suzanne Lacy's
Practice / Kerstin Mey 327
Appendix. Chronology and Selected Performances and Installations 339
Notes 343
Index 369
Preface xiii
Acknowledgments xv
Introduction. Suzanne Lacy: Three Decades of Performing and Writing/Writing
and Performing / Moira Roth xvii
Part 1. Learning to Look: The Seventies
Introduction 2
1. Prostitution Notes (1974) 5
2. Falling Apart (1980) 20
3. Body Contract (1974) 30
Photo Essay. Learn Where the Meat Comes From (1976) 43
4. Cinderella in a Dragster (1977) 48
5. The Bag Lady: On Memory (1982) 52
6. The Life and Times of Donaldina Cameron (with Linda Palumbo and Kathleen
Chang) (1978) 57
7. In Mourning and In Rage (With Analysis Aforethought) (1978) 64
8. Learning to Look: The Relationship between Art and Popular Culture
Images (with Leslie Labowitz) (1970) 72
9. Feminist Artists: Developing a Media Strategy for the Movement (with
Leslie Labowitz) (1981) 83
10. Time, Bones, and Art: Anatomy of a Decade (1995) 92
Part 2. Political Performance Art: The Eighties
Introduction 108
11. Broomsticks and Banners: The Winds of Change (1980) 109
12. The Greening of California Performance: Art of Social Change—A Case
Study (1982) 114
13. Made for TV: California Performance in Mass Media (1982) 120
14. Battle of New Orleans (1980) 126
15. Beneath the Seams (1982) 137
16. In the Shadows: An Analysis of The Dark Madonna (1990) 144
17. Political Performance Art: A Discussion by Suzanne Lacy and Lucy R.
Lippard (1985) 151
Part 3. Debated Territory: The Nineties
Introduction 160
18. The Name of the Game (1991) 161
19. Debated Territory: Toward a Critical Language for Public Art (1994) 172
20. Affinities: Thoughts on an Incomplete History (1994) 185
21. Love, Cancer, Memory: A Few Stories (1996) 194
22. Cancer Notes (with Leslie Becker) (1995) 211
23. What It Takes (with Ann Wettrich) (2002) 222
Part 4. Leaving Art: After 2000
Introduction 236
24. The Skin of Memory/La Piel de la Memoria (with Pilar Riaño-Alcalá)
(2006) 237
25. Seeking an American Identity (Working Inward from the Margins) (2003)
250
26. Cop in the Head, Cop in the Street (2006) 267
27. Having It Good: Reflections on Engaged Art and Engaged Buddhism (2005)
284
28. Hard Work in a Working-Class Town (2006) 300
29. Tracing Allan Kaprow (2007) 319
Afterword: In ter ceptions and In tensions—Situating Suzanne Lacy's
Practice / Kerstin Mey 327
Appendix. Chronology and Selected Performances and Installations 339
Notes 343
Index 369
Illustrations ix
Preface xiii
Acknowledgments xv
Introduction. Suzanne Lacy: Three Decades of Performing and Writing/Writing
and Performing / Moira Roth xvii
Part 1. Learning to Look: The Seventies
Introduction 2
1. Prostitution Notes (1974) 5
2. Falling Apart (1980) 20
3. Body Contract (1974) 30
Photo Essay. Learn Where the Meat Comes From (1976) 43
4. Cinderella in a Dragster (1977) 48
5. The Bag Lady: On Memory (1982) 52
6. The Life and Times of Donaldina Cameron (with Linda Palumbo and Kathleen
Chang) (1978) 57
7. In Mourning and In Rage (With Analysis Aforethought) (1978) 64
8. Learning to Look: The Relationship between Art and Popular Culture
Images (with Leslie Labowitz) (1970) 72
9. Feminist Artists: Developing a Media Strategy for the Movement (with
Leslie Labowitz) (1981) 83
10. Time, Bones, and Art: Anatomy of a Decade (1995) 92
Part 2. Political Performance Art: The Eighties
Introduction 108
11. Broomsticks and Banners: The Winds of Change (1980) 109
12. The Greening of California Performance: Art of Social Change—A Case
Study (1982) 114
13. Made for TV: California Performance in Mass Media (1982) 120
14. Battle of New Orleans (1980) 126
15. Beneath the Seams (1982) 137
16. In the Shadows: An Analysis of The Dark Madonna (1990) 144
17. Political Performance Art: A Discussion by Suzanne Lacy and Lucy R.
Lippard (1985) 151
Part 3. Debated Territory: The Nineties
Introduction 160
18. The Name of the Game (1991) 161
19. Debated Territory: Toward a Critical Language for Public Art (1994) 172
20. Affinities: Thoughts on an Incomplete History (1994) 185
21. Love, Cancer, Memory: A Few Stories (1996) 194
22. Cancer Notes (with Leslie Becker) (1995) 211
23. What It Takes (with Ann Wettrich) (2002) 222
Part 4. Leaving Art: After 2000
Introduction 236
24. The Skin of Memory/La Piel de la Memoria (with Pilar Riaño-Alcalá)
(2006) 237
25. Seeking an American Identity (Working Inward from the Margins) (2003)
250
26. Cop in the Head, Cop in the Street (2006) 267
27. Having It Good: Reflections on Engaged Art and Engaged Buddhism (2005)
284
28. Hard Work in a Working-Class Town (2006) 300
29. Tracing Allan Kaprow (2007) 319
Afterword: In ter ceptions and In tensions—Situating Suzanne Lacy's
Practice / Kerstin Mey 327
Appendix. Chronology and Selected Performances and Installations 339
Notes 343
Index 369
Preface xiii
Acknowledgments xv
Introduction. Suzanne Lacy: Three Decades of Performing and Writing/Writing
and Performing / Moira Roth xvii
Part 1. Learning to Look: The Seventies
Introduction 2
1. Prostitution Notes (1974) 5
2. Falling Apart (1980) 20
3. Body Contract (1974) 30
Photo Essay. Learn Where the Meat Comes From (1976) 43
4. Cinderella in a Dragster (1977) 48
5. The Bag Lady: On Memory (1982) 52
6. The Life and Times of Donaldina Cameron (with Linda Palumbo and Kathleen
Chang) (1978) 57
7. In Mourning and In Rage (With Analysis Aforethought) (1978) 64
8. Learning to Look: The Relationship between Art and Popular Culture
Images (with Leslie Labowitz) (1970) 72
9. Feminist Artists: Developing a Media Strategy for the Movement (with
Leslie Labowitz) (1981) 83
10. Time, Bones, and Art: Anatomy of a Decade (1995) 92
Part 2. Political Performance Art: The Eighties
Introduction 108
11. Broomsticks and Banners: The Winds of Change (1980) 109
12. The Greening of California Performance: Art of Social Change—A Case
Study (1982) 114
13. Made for TV: California Performance in Mass Media (1982) 120
14. Battle of New Orleans (1980) 126
15. Beneath the Seams (1982) 137
16. In the Shadows: An Analysis of The Dark Madonna (1990) 144
17. Political Performance Art: A Discussion by Suzanne Lacy and Lucy R.
Lippard (1985) 151
Part 3. Debated Territory: The Nineties
Introduction 160
18. The Name of the Game (1991) 161
19. Debated Territory: Toward a Critical Language for Public Art (1994) 172
20. Affinities: Thoughts on an Incomplete History (1994) 185
21. Love, Cancer, Memory: A Few Stories (1996) 194
22. Cancer Notes (with Leslie Becker) (1995) 211
23. What It Takes (with Ann Wettrich) (2002) 222
Part 4. Leaving Art: After 2000
Introduction 236
24. The Skin of Memory/La Piel de la Memoria (with Pilar Riaño-Alcalá)
(2006) 237
25. Seeking an American Identity (Working Inward from the Margins) (2003)
250
26. Cop in the Head, Cop in the Street (2006) 267
27. Having It Good: Reflections on Engaged Art and Engaged Buddhism (2005)
284
28. Hard Work in a Working-Class Town (2006) 300
29. Tracing Allan Kaprow (2007) 319
Afterword: In ter ceptions and In tensions—Situating Suzanne Lacy's
Practice / Kerstin Mey 327
Appendix. Chronology and Selected Performances and Installations 339
Notes 343
Index 369