Legacies of Departed African Writers analyzes and celebrates the resounding contributions of ten deceased African female writers of contemporary African literature and feminist scholarship, examining the ideologies, thematic concerns, and stylistic devices which constitute the fabrics of the legacies left by these iconic pacesetters.
Legacies of Departed African Writers analyzes and celebrates the resounding contributions of ten deceased African female writers of contemporary African literature and feminist scholarship, examining the ideologies, thematic concerns, and stylistic devices which constitute the fabrics of the legacies left by these iconic pacesetters.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Helen O. Chukwuma is professor of English in the Department of English and Modern Foreign Languages at Jackson State University. Chioma Carol Opara is professor of English and comparative literature and former director of the Foundation Studies Unit at Rivers State University.
Inhaltsangabe
Acknowledgements Introduction: The Resounding Gongs of Fallen Female Heroes Chioma Carol Opara and Helen O. Chukwuma Part 1: Affirming the Charismatic Pathfinder: Flora Nwapa 1. "Flora Nwapa: The One Who Dwells in Wealth" Anthonia Kalu 1. Uwa Umunwanyi, Uwa Oma: Flora Nwapa and Women's History and Culture in Efuru and Idu Akachi Adimora- Ezeigbo 1. Flora Nwapa, Feminism and the Burden of History Kemi Wale- Olaitan 1. Flora Nwapa's Efuru: The Personified Goddess Anthonia Adadevoh 1. Forces and Flaws in Flora Nwapa's Efuru and Idu Perp St. Remy Asiegbu Part 2: Orality and Rootedness in Culture and Tradition 1. Wolof Taasu Genre as Narrative Device in Mariama Ba's So Long a Letter Ada Uzoamaka Azodo 1. Non-Verbalized Communication of True Love in Traditional Dholuo in Grace Ogot's The Promised Land Eunita Ochola 1. Validation of Culture: A Re-reading of 'Zulu Sofola's Wedlock of the Gods and King Emene: A Tragedy of Rebellion. Nkem Okoh Part 3:Interrogating Identity, Autonomy, and History 1. Archetypes of the Mother and the Scapegoat in Grace Ogot's Fiction Onyemaechi Udumukwu 1. Bessie Head: World Writer from Africa Mary S. Lederer 1. Narrating Hybridity: The Synthesis of Tradition and Modernity in Buchi Emecheta's Double Yoke Solomon Omatsola Azumurana 1. Depravity and Mental Torture in Nawal El Saadawi's Two Women inOne and Woman at PointZero Queen Albert and Onyemechi Nwaeke 1. Resurrecting Women from the Margins of History: Feminist Synergy in Selected Works byAssia Djebar Rose A. Sackeyfio Part 4: Confronting Containment with Resistance and Freedom 1. From Passivity to Defiance: The Figure of Woman in Yvonne Vera's Novels Blessing Diala-Ogamba 2. The Buchi Emecheta Phenomenon Austine Amanze Akpuda 1. Twin Kernels in One Pod: Naming of Nawal and Firdaus in El Saadawi's A Daughter of Isis and Woman at Point Zero Chinyere Grace Okafor 1. Women,Tradition and Resistance in Zulu Sofola's Wedlock of the Gods Irene Isoken Salami-Agunloye 1. Nadine Gordimer's Multiplex Legacy Ikeogu Oke Part 5:Dynamics of Power and Narrative Voice 1. Language Use in the Discourse of Otherness in Bessie Head's Maru Omeh Obasi Ngwoke and Okwudiri Anasiudu 1. Synthesis of Binaries: The Mediating Voice in Mariama Ba's Novels Chioma Carol Opara Epilogue: Un Cri de Coeur Marie Umeh
Acknowledgements Introduction: The Resounding Gongs of Fallen Female Heroes Chioma Carol Opara and Helen O. Chukwuma Part 1: Affirming the Charismatic Pathfinder: Flora Nwapa 1. "Flora Nwapa: The One Who Dwells in Wealth" Anthonia Kalu 1. Uwa Umunwanyi, Uwa Oma: Flora Nwapa and Women's History and Culture in Efuru and Idu Akachi Adimora- Ezeigbo 1. Flora Nwapa, Feminism and the Burden of History Kemi Wale- Olaitan 1. Flora Nwapa's Efuru: The Personified Goddess Anthonia Adadevoh 1. Forces and Flaws in Flora Nwapa's Efuru and Idu Perp St. Remy Asiegbu Part 2: Orality and Rootedness in Culture and Tradition 1. Wolof Taasu Genre as Narrative Device in Mariama Ba's So Long a Letter Ada Uzoamaka Azodo 1. Non-Verbalized Communication of True Love in Traditional Dholuo in Grace Ogot's The Promised Land Eunita Ochola 1. Validation of Culture: A Re-reading of 'Zulu Sofola's Wedlock of the Gods and King Emene: A Tragedy of Rebellion. Nkem Okoh Part 3:Interrogating Identity, Autonomy, and History 1. Archetypes of the Mother and the Scapegoat in Grace Ogot's Fiction Onyemaechi Udumukwu 1. Bessie Head: World Writer from Africa Mary S. Lederer 1. Narrating Hybridity: The Synthesis of Tradition and Modernity in Buchi Emecheta's Double Yoke Solomon Omatsola Azumurana 1. Depravity and Mental Torture in Nawal El Saadawi's Two Women inOne and Woman at PointZero Queen Albert and Onyemechi Nwaeke 1. Resurrecting Women from the Margins of History: Feminist Synergy in Selected Works byAssia Djebar Rose A. Sackeyfio Part 4: Confronting Containment with Resistance and Freedom 1. From Passivity to Defiance: The Figure of Woman in Yvonne Vera's Novels Blessing Diala-Ogamba 2. The Buchi Emecheta Phenomenon Austine Amanze Akpuda 1. Twin Kernels in One Pod: Naming of Nawal and Firdaus in El Saadawi's A Daughter of Isis and Woman at Point Zero Chinyere Grace Okafor 1. Women,Tradition and Resistance in Zulu Sofola's Wedlock of the Gods Irene Isoken Salami-Agunloye 1. Nadine Gordimer's Multiplex Legacy Ikeogu Oke Part 5:Dynamics of Power and Narrative Voice 1. Language Use in the Discourse of Otherness in Bessie Head's Maru Omeh Obasi Ngwoke and Okwudiri Anasiudu 1. Synthesis of Binaries: The Mediating Voice in Mariama Ba's Novels Chioma Carol Opara Epilogue: Un Cri de Coeur Marie Umeh
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
