Stuart Marshall Bender

Legacies of the Degraded Image in Violent Digital Media

• Gebundenes Buch

Produktbeschreibung

This book undertakes a concentrated study of the impact of degraded and low-quality imagery in contemporary cinema and real-world portrayals of violence. Through a series of case studies, the book explores examples of corrupted digital imagery that range from mainstream cinema portrayals of drone warfare and infantry killing, through to real-world recordings of terrorist attacks and executions, as well as perpetrator-created murder videos live-streamed on the internet. Despite post-modernist concerns of cultural inurement during the seminal period of digitalized and virtualized killing in the 1990s, real-world reactions to violent media indicate that our culture is anything but desensitized to these media depictions. Against such a background, this book is a concentrated study of how these images are created and circulated in the contemporary media landscape and how the effect and affect of violent material is impacted by the low-resolution aesthetic.

Produktdetails

• Verlag: Palgrave Macmillan / Springer International Publishing / Springer, Berlin
• Artikelnr. des Verlages: 978-3-319-64458-5
• 1st ed. 2017
• Seitenzahl: 156
• Erscheinungstermin: 6. September 2017
• Englisch
• Abmessung: 216mm x 153mm x 14mm
• Gewicht: 300g
• ISBN-13: 9783319644585
• ISBN-10: 3319644580
• Artikelnr.: 48560950

Autorenporträt

Stuart Marshall Bender is an Early Career Research Fellow at Curtin University, Australia, exploring the digital aesthetics of violence. A scholar and filmmaker, he has published work in The Journal of Popular Film & Television, M/C Journal, First Monday and had films screened in competition at a range of international festivals.

Inhaltsangabe

Chapter 1: Introduction.- Chapter 2: They Shoot Pixels Don't They? Killing Pixels From Patriot Games to Collateral Murder and Call of Duty.- Chapter 3: Performing Murder on Live Television and Social Media.- Chapter 4: Rethinking the Aesthetics of Terror Videos.- Chapter 5: The Aesthetics of Sousveillance: Redacted (2007).- Chapter 6: Splats and Splashes: The Drone Warfare Genre and Digitally Mediated Trauma.- Chapter 7: Conclusion.

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Chapter 1: Introduction.- Chapter 2: They Shoot Pixels Don’t They? Killing Pixels From Patriot Games to Collateral Murder and Call of Duty.- Chapter 3: Performing Murder on Live Television and Social Media.- Chapter 4: Rethinking the Aesthetics of Terror Videos.- Chapter 5: The Aesthetics of Sousveillance: Redacted (2007).- Chapter 6: Splats and Splashes: The Drone Warfare Genre and Digitally Mediated Trauma.- Chapter 7: Conclusion.