In this first in-depth look at the series, Alicia Kopfstein-Penk illustrates how the cultural, social, political, and musical upheavals of the long sixties impacted Bernstein's life and his Young People's Concerts.
In this first in-depth look at the series, Alicia Kopfstein-Penk illustrates how the cultural, social, political, and musical upheavals of the long sixties impacted Bernstein's life and his Young People's Concerts.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Alicia Kopfstein-Penk is an enthusiastic postmodernist who teaches at American University. As a performer, she has sung Bernstein at the Metropolitan Opera, Beatles at clubs, and played classical guitar at the Kennedy Center. She is also a contributor to Soundboard, and a podcast producer for the Washington National Opera.
Inhaltsangabe
A Note on Figures List of Tables Foreword Preface Introduction Chapter 1: Background: Who, When, and How Chapter 2: Decisions: Topics, Pieces, and Performers Chapter 3: The Postmodernist: Highbrow, Lowbrow, and Middlebrow Joined Chapter 4: The Television Pioneer: Origins, Competition, Success Chapter 5: The Pacifist: The Cold War Intrudes Chapter 6: The Liberal: Civil Rights, Feminism, and the Counterculture Chapter 7: The Musical Reactionary: Atonality versus Tonality or Composer versus Audience Chapter 8: The Advocate for American Music: Search for an American Identity Epilogue Appendix A: Program Numbers, Titles, and Dates with Chapter References and Possible Motivations for Topic for Bernstein's Young People's Concerts Appendix B: Alphabetical List of Bernstein's Young People's Concerts Appendix C: Production and Broadcast Information for Bernstein's Young People's Concerts Appendix D: Young Performers on Bernstein's Young People's Concerts Appendix E: Existing Nielsen Ratings for Bernstein's Young People's Concerts Appendix F: Twentieth-Century Works in Bernstein's Young People's Concerts Appendix G: American Music in Bernstein's Young People's Concerts Appendix H: Young People's Concerts without Bernstein, 1958-1972 Bibliography Index About the Author
A Note on Figures List of Tables Foreword Preface Introduction Chapter 1: Background: Who, When, and How Chapter 2: Decisions: Topics, Pieces, and Performers Chapter 3: The Postmodernist: Highbrow, Lowbrow, and Middlebrow Joined Chapter 4: The Television Pioneer: Origins, Competition, Success Chapter 5: The Pacifist: The Cold War Intrudes Chapter 6: The Liberal: Civil Rights, Feminism, and the Counterculture Chapter 7: The Musical Reactionary: Atonality versus Tonality or Composer versus Audience Chapter 8: The Advocate for American Music: Search for an American Identity Epilogue Appendix A: Program Numbers, Titles, and Dates with Chapter References and Possible Motivations for Topic for Bernstein's Young People's Concerts Appendix B: Alphabetical List of Bernstein's Young People's Concerts Appendix C: Production and Broadcast Information for Bernstein's Young People's Concerts Appendix D: Young Performers on Bernstein's Young People's Concerts Appendix E: Existing Nielsen Ratings for Bernstein's Young People's Concerts Appendix F: Twentieth-Century Works in Bernstein's Young People's Concerts Appendix G: American Music in Bernstein's Young People's Concerts Appendix H: Young People's Concerts without Bernstein, 1958-1972 Bibliography Index About the Author
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