Comment se compose la mémoire du spectacle ? Les bibliothèques et les musées s'attachant à l'entretenir ont parfois du mal à contenir une matière aussi multiforme. Chaque collection a son histoire, chaque institution a dû faire face à diverses difficultés. Dans cette mission, la technologie peut contribuer à approfondir la mémoire du spectacle et à élargir virtuellement à l'infini les espaces qui l'accueillent. Le congrès de la SIBMAS qui s'est tenu à Rome en 2002 témoignait d'une étape dans la réflexion suscitée par l'utilisation des nouvelles technologies dans les bibliothèques et les…mehr
Comment se compose la mémoire du spectacle ? Les bibliothèques et les musées s'attachant à l'entretenir ont parfois du mal à contenir une matière aussi multiforme. Chaque collection a son histoire, chaque institution a dû faire face à diverses difficultés. Dans cette mission, la technologie peut contribuer à approfondir la mémoire du spectacle et à élargir virtuellement à l'infini les espaces qui l'accueillent. Le congrès de la SIBMAS qui s'est tenu à Rome en 2002 témoignait d'une étape dans la réflexion suscitée par l'utilisation des nouvelles technologies dans les bibliothèques et les centres d'archives. Cet ouvrage en présente les communications. How is the memory of a show evoked and brought back to life? Libraries and museums, by focusing on conservation, sometimes struggle to control the many details of the subject matter. Each collection has its own history and each institution has faced a multitude of difficulties. The aim of the papers put forward in this book is to illustrate how technology can help deepen the memory of each show and expand the virtually infinite spaces that keep them. The SIBMAS Congress held in Rome in 2002 represented a step forward in thinking about the use of new technologies in libraries and archives.
Contenu/Contents: Claudia Balk: Opening Speech/Mot d'ouverture - Maria Teresa Iovinelli: Introduction - Vincent Radermecker : En matière d'art du théâtre, quelles archives, pour quelle vie, au sein d'un organisme vivant ou d'un centre d'archivage - Maria Ida Biggi: The Institute for Letters, Theatre and Melodrama of the Cini Foundation - Simona Brunetti: The Herla Project: Inventorying Gonzaga's Italian and European Documentation on Performance - Moreno Bucci: The Archives of the Teatro Comunale of Florence. Now Called the Teatro del Maggio Musicale Fiorentino - Fondazione: 1933-2002 - Helen Adair: Reorganisation of Stack Space in the Performing Arts Collection at the Harry Ransom Humanities Research Center - Ksenija Radulovic: Using New Technologies to Overcome the Problem of Museum Space - Paul Ulrich: The SIBMAS International Directory of Performing Arts Collections and Institutions Online. The Transition from Printed Volume to Online Service, How It Was Done, Why Was It Done, How Is It Being Received? - Christelle Cazaux : Le Répertoire des arts du spectacle (RASP) - Claire Hudson: Backstage. Discovering Performing Arts Resources - Richard Stone: AusStage. Recording Performing Arts Events in Australia - Inga Lewenhaupt: Sveriges Teatermuseum. The Combined Databases and a New Project: «Documentation of Performing Arts on DVD» - Willem Rodenhuis: Theatre Iconography and the Challenge of Digitalization. An Account of a Pilot Project Carried out in the Library of the University of Amsterdam - Jocelyne Philippekin/Alain Bert : De la mémoire vivante au fonds documentaire - Maria Teresa Iovinelli: The Petrolini Collection: a Project of Multimedia Archive - Jan Van Goethem: C.a.r.m.e.n. : a Virtual Access to the Archives of La Monnaie - Ada Kolganova: Access to the Illustrative Graphic Arts Material of the Russian State Arts Library: CD The Russian Service Uniform - Claudia Balk/Petra Kraus: Does TANDEM Still Exist? - Anastassia Sakhnovskaia/Mark Bannister: Barry Russell: CÉSAR's Standard-bearer - Margret Schild: Performing Art Libraries in Düsseldorf. Their Role in the Field of Introducing Computer-based Information and the Management within the Theatre Museum and the Film Museum - José Carlos Alvarez: The Matriz Software Implemented to the Collections of the National Theatre Museum of Portugal - Marie-Claude Billard : Traitement informatique des collections relatives au Festival d'Avignon - Anisoara Burlacu/Camelia Savu : Les arts du spectacle en Roumanie - Noëlle Guibert : André Veinsten (1916-2001) - Claudia Balk : Rapport de la présidente/President's Report - Claire Hudson : Rapport de la secrétaire générale/Secretary General's Report.Contenu/Contents: Claudia Balk: Opening Speech/Mot d'ouverture - Maria Teresa Iovinelli: Introduction - Vincent Radermecker : En matière d'art du théâtre, quelles archives, pour quelle vie, au sein d'un organisme vivant ou d'un centre d'archivage - Maria Ida Biggi: The Institute for Letters, Theatre and Melodrama of the Cini Foundation - Simona Brunetti: The Herla Project: Inventorying Gonzaga's Italian and European Documentation on Performance - Moreno Bucci: The Archives of the Teatro Comunale of Florence. Now Called the Teatro del Maggio Musicale Fiorentino - Fondazione: 1933-2002 - Helen Adair: Reorganisation of Stack Space in the Performing Arts Collection at the Harry Ransom Humanities Research Center - Ksenija Radulovic: Using New Technologies to Overcome the Problem of Museum Space - Paul Ulrich: The SIBMAS International Directory of Performing Arts Collections and Institutions Online. The Transition from Printed Volume to Online Service, How It Was Done, Why Was It Done, How Is It Being Received? - Christelle Cazaux : Le Répertoire des arts du spectacle (RASP) - Claire Hudson: Backstage. Discovering Performing Arts Resources - Richard Stone: AusStage. Recording Performing Arts Events in Australia - Inga Lewenhaupt: Sveriges Teatermuseum. The Combined Databases and a New Project: "Documentation of Performing Arts on DVD" - Willem Rodenhuis: Theatre Iconography and the Challenge of Digitalization. An Account of a Pilot Project Carried out in the Library of the University of Amsterdam - Jocelyne Philippekin/Alain Bert : De la mémoire vivante au fonds documentaire - Maria Teresa Iovinelli: The Petrolini Collection: a Project of Multimedia Archive - Jan Van Goethem: C.a.r.m.e.n. : a Virtual Access to the Archives of La Monnaie - Ada Kolganova: Access to the Illustrative Graphic Arts Material of the Russian State Arts Library: CD The Russian Service Uniform - Claudia Balk/Petra Kraus: Does TANDEM Still Exist? - Anastassia Sakhnovskaia/Mark Bannister: Barry Russell: CÉSAR's Standard-bearer - Margret Schild: Performing Art Libraries in Düsseldorf. Their Role in the Field of Introducing Computer-based Information and the Management within the Theatre Museum and the Film Museum - José Carlos Alvarez: The Matriz Software Implemented to the Collections of the National Theatre Museum of Portugal - Marie-Claude Billard : Traitement informatique des collections relatives au Festival d'Avignon - Anisoara Burlacu/Camelia Savu : Les arts du spectacle en Roumanie - Noëlle Guibert : André Veinsten (1916-2001) - Claudia Balk : Rapport de la présidente/President's Report - Claire Hudson : Rapport de la secrétaire générale/Secretary General's Report.
Contenu/Contents: Claudia Balk: Opening Speech/Mot d'ouverture - Maria Teresa Iovinelli: Introduction - Vincent Radermecker : En matière d'art du théâtre, quelles archives, pour quelle vie, au sein d'un organisme vivant ou d'un centre d'archivage - Maria Ida Biggi: The Institute for Letters, Theatre and Melodrama of the Cini Foundation - Simona Brunetti: The Herla Project: Inventorying Gonzaga's Italian and European Documentation on Performance - Moreno Bucci: The Archives of the Teatro Comunale of Florence. Now Called the Teatro del Maggio Musicale Fiorentino - Fondazione: 1933-2002 - Helen Adair: Reorganisation of Stack Space in the Performing Arts Collection at the Harry Ransom Humanities Research Center - Ksenija Radulovic: Using New Technologies to Overcome the Problem of Museum Space - Paul Ulrich: The SIBMAS International Directory of Performing Arts Collections and Institutions Online. The Transition from Printed Volume to Online Service, How It Was Done, Why Was It Done, How Is It Being Received? - Christelle Cazaux : Le Répertoire des arts du spectacle (RASP) - Claire Hudson: Backstage. Discovering Performing Arts Resources - Richard Stone: AusStage. Recording Performing Arts Events in Australia - Inga Lewenhaupt: Sveriges Teatermuseum. The Combined Databases and a New Project: «Documentation of Performing Arts on DVD» - Willem Rodenhuis: Theatre Iconography and the Challenge of Digitalization. An Account of a Pilot Project Carried out in the Library of the University of Amsterdam - Jocelyne Philippekin/Alain Bert : De la mémoire vivante au fonds documentaire - Maria Teresa Iovinelli: The Petrolini Collection: a Project of Multimedia Archive - Jan Van Goethem: C.a.r.m.e.n. : a Virtual Access to the Archives of La Monnaie - Ada Kolganova: Access to the Illustrative Graphic Arts Material of the Russian State Arts Library: CD The Russian Service Uniform - Claudia Balk/Petra Kraus: Does TANDEM Still Exist? - Anastassia Sakhnovskaia/Mark Bannister: Barry Russell: CÉSAR's Standard-bearer - Margret Schild: Performing Art Libraries in Düsseldorf. Their Role in the Field of Introducing Computer-based Information and the Management within the Theatre Museum and the Film Museum - José Carlos Alvarez: The Matriz Software Implemented to the Collections of the National Theatre Museum of Portugal - Marie-Claude Billard : Traitement informatique des collections relatives au Festival d'Avignon - Anisoara Burlacu/Camelia Savu : Les arts du spectacle en Roumanie - Noëlle Guibert : André Veinsten (1916-2001) - Claudia Balk : Rapport de la présidente/President's Report - Claire Hudson : Rapport de la secrétaire générale/Secretary General's Report.Contenu/Contents: Claudia Balk: Opening Speech/Mot d'ouverture - Maria Teresa Iovinelli: Introduction - Vincent Radermecker : En matière d'art du théâtre, quelles archives, pour quelle vie, au sein d'un organisme vivant ou d'un centre d'archivage - Maria Ida Biggi: The Institute for Letters, Theatre and Melodrama of the Cini Foundation - Simona Brunetti: The Herla Project: Inventorying Gonzaga's Italian and European Documentation on Performance - Moreno Bucci: The Archives of the Teatro Comunale of Florence. Now Called the Teatro del Maggio Musicale Fiorentino - Fondazione: 1933-2002 - Helen Adair: Reorganisation of Stack Space in the Performing Arts Collection at the Harry Ransom Humanities Research Center - Ksenija Radulovic: Using New Technologies to Overcome the Problem of Museum Space - Paul Ulrich: The SIBMAS International Directory of Performing Arts Collections and Institutions Online. The Transition from Printed Volume to Online Service, How It Was Done, Why Was It Done, How Is It Being Received? - Christelle Cazaux : Le Répertoire des arts du spectacle (RASP) - Claire Hudson: Backstage. Discovering Performing Arts Resources - Richard Stone: AusStage. Recording Performing Arts Events in Australia - Inga Lewenhaupt: Sveriges Teatermuseum. The Combined Databases and a New Project: "Documentation of Performing Arts on DVD" - Willem Rodenhuis: Theatre Iconography and the Challenge of Digitalization. An Account of a Pilot Project Carried out in the Library of the University of Amsterdam - Jocelyne Philippekin/Alain Bert : De la mémoire vivante au fonds documentaire - Maria Teresa Iovinelli: The Petrolini Collection: a Project of Multimedia Archive - Jan Van Goethem: C.a.r.m.e.n. : a Virtual Access to the Archives of La Monnaie - Ada Kolganova: Access to the Illustrative Graphic Arts Material of the Russian State Arts Library: CD The Russian Service Uniform - Claudia Balk/Petra Kraus: Does TANDEM Still Exist? - Anastassia Sakhnovskaia/Mark Bannister: Barry Russell: CÉSAR's Standard-bearer - Margret Schild: Performing Art Libraries in Düsseldorf. Their Role in the Field of Introducing Computer-based Information and the Management within the Theatre Museum and the Film Museum - José Carlos Alvarez: The Matriz Software Implemented to the Collections of the National Theatre Museum of Portugal - Marie-Claude Billard : Traitement informatique des collections relatives au Festival d'Avignon - Anisoara Burlacu/Camelia Savu : Les arts du spectacle en Roumanie - Noëlle Guibert : André Veinsten (1916-2001) - Claudia Balk : Rapport de la présidente/President's Report - Claire Hudson : Rapport de la secrétaire générale/Secretary General's Report.
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