Drawing on interviews conducted by the author, Liberating Hollywood is the first study of women directors within the intersection of second wave feminism, civil rights legislation, and Hollywood to investigate the remarkable careers of these filmmakers during one of the most mythologized periods in American film history.
Drawing on interviews conducted by the author, Liberating Hollywood is the first study of women directors within the intersection of second wave feminism, civil rights legislation, and Hollywood to investigate the remarkable careers of these filmmakers during one of the most mythologized periods in American film history.
MAYA MONTAÑEZ. SMUKLER is head of the UCLA Film & Television Archive Research and Study Center. Her work appears in collections including: Women and New Hollywood: Gender, Creative Labor and 1970s American Cinema, ReFocus: The Films of Elaine May, ReFocus: The Films of Susan Seidelman, and Happily Ever After: Romantic Comedy in the Post-Romantic Age.
Inhaltsangabe
Contents Acknowledgements Introduction Prologue 1 Feminist Reform Comes to Hollywood 2 1970s Cultures of Production: Studio, Art House, and Exploitation 3 New Women: Women Directors and the 1970s New Woman Film 4 Radicalizing the Directors Guild of America 5 Desperately Seeking the Eighties: 1970s Perseverance Turns to 1980s Progress Appendix Notes Index
Contents Acknowledgements Introduction Prologue 1 Feminist Reform Comes to Hollywood 2 1970s Cultures of Production: Studio, Art House, and Exploitation 3 New Women: Women Directors and the 1970s New Woman Film 4 Radicalizing the Directors Guild of America 5 Desperately Seeking the Eighties: 1970s Perseverance Turns to 1980s Progress Appendix Notes Index
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