New research throws light on the history of the viol after Purcell, including its revival in the late eighteenth century through Charles Frederick Abel.
New research throws light on the history of the viol after Purcell, including its revival in the late eighteenth century through Charles Frederick Abel.
Introduction 'Musitians on the Viol de Gamba': Professional Players in Restoration England 'The Noble Bass Viol': Amateur Players around 1700 'Per la Viola da Gamba': Immigrants in Early Eighteenth-Century London 'Awake my Cetra, Harp and Lute': John Frederick Hintz and the Cult of Exotic Instruments 'A Solo on the Viola da Gamba': Charles Frederick Abel as a Performer 'Composed to the Soul': Abel's Viola da Gamba Music 'The Heart of Sensibility': Writers, Artists and Aristocrats 'The Art of Playing it has never Died Out in this Country': Abel's Competitors, Followers and Successors 'Performed upon the Original Instruments for which it was Written': the Viola da Gamba and the Early Music Revival
Introduction 'Musitians on the Viol de Gamba': Professional Players in Restoration England 'The Noble Bass Viol': Amateur Players around 1700 'Per la Viola da Gamba': Immigrants in Early Eighteenth-Century London 'Awake my Cetra, Harp and Lute': John Frederick Hintz and the Cult of Exotic Instruments 'A Solo on the Viola da Gamba': Charles Frederick Abel as a Performer 'Composed to the Soul': Abel's Viola da Gamba Music 'The Heart of Sensibility': Writers, Artists and Aristocrats 'The Art of Playing it has never Died Out in this Country': Abel's Competitors, Followers and Successors 'Performed upon the Original Instruments for which it was Written': the Viola da Gamba and the Early Music Revival
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