Life as Art synthesizes a number of aesthetic theories in philosophy after 1850 and shows the ways in which they contribute to a unified field of analysis and potential implementation. The book is framed both as a secondary text, analyzing 19th and 20th Century aesthetics, and a primary argument for the viability of life as art as a unified philosophical position.
Life as Art synthesizes a number of aesthetic theories in philosophy after 1850 and shows the ways in which they contribute to a unified field of analysis and potential implementation. The book is framed both as a secondary text, analyzing 19th and 20th Century aesthetics, and a primary argument for the viability of life as art as a unified philosophical position.
Part I: Introducing Life as Art Chapter 1: The Path Ahead Chapter 2: Dandyism and Life is Art Chapter 3: Nietzsche's Ideal Types Part II: Resistant Chapter 4: Theodor Adorno on Negative Thinking and Utopia Chapter 5: Herbert Marcuse and the Artful Individual Part III: Affirmation Chapter 6: Martin Heidegger and Poetic Thinking Chapter 7: Merleau-Ponty and Marion on the Thought of Being Part IV: Creation Chapter 8: Albert Camus on the Life Artist Chapter 9: Foucault's Aesthetics of Existence Chapter 10: Conclusion: Life as Art
Part I: Introducing Life as Art Chapter 1: The Path Ahead Chapter 2: Dandyism and Life is Art Chapter 3: Nietzsche's Ideal Types Part II: Resistant Chapter 4: Theodor Adorno on Negative Thinking and Utopia Chapter 5: Herbert Marcuse and the Artful Individual Part III: Affirmation Chapter 6: Martin Heidegger and Poetic Thinking Chapter 7: Merleau-Ponty and Marion on the Thought of Being Part IV: Creation Chapter 8: Albert Camus on the Life Artist Chapter 9: Foucault's Aesthetics of Existence Chapter 10: Conclusion: Life as Art
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