Life as Theater is about understanding people and how the dramaturgical way of thinking helps or hinders such understandingHinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Introduction PART I THE DRAMATURGICAL PERSPECTIVE Critiques of Dramaturgy The Legacy of Goffman PART II SOCIAL RELATIONSHIPS AS DRAMA 1. Sociological Perspectives-Society as Drama 2. Concept and Method in the Study of Human Development 3. Life as Theater: Some Notes on the Dramaturgic Approach to Social Reality 4. Role Taking: Process versus Conformity 5. Role Distance VIII PART III THE DRAMATURGICAL SELF 6. The Self as a Locus of Linguistic Causality 7. The Presentation of Self 8. Appearance and the Self: A Slightly Revised Version 9. Staging One's Ideal Self 10. The Presentation of Self and the New Institutional Inmate: An Analysis of Prisoners' Responses to Assessment for Release PART IV MOTIVATION AND DRAMA 11. Situated Actions and Vocabularies of Motive 12. Accounts 13. Remedial Work 14. The Reasons Considered 15. Convicted Rapists' Vocabulary of Motive: Excuses and Justifications PART V ORGANIZATIONAL DRAMAS 16. Death as Theater: A Dramaturgical Analysis of the American Funeral 17. False Pretense and Deviant Exploitation: Fortunetelling as a Con 18. To Be A Mediator: Expressive Tactics in Mediation 19. Dramatism and the Theatrical Metaphor PART VI POLITICAL DRAMAS 20. Propaganda with Design: Environmental Dramaturgy in the Political Rally 21. The Presidency and Impression Management 22. The Phenomenon of the Public Wife: An Exercise in Goffman's Impression Management 23. Dramaturgy and Political Mystification: Political Life in the United States
Introduction PART I THE DRAMATURGICAL PERSPECTIVE Critiques of Dramaturgy The Legacy of Goffman PART II SOCIAL RELATIONSHIPS AS DRAMA 1. Sociological Perspectives-Society as Drama 2. Concept and Method in the Study of Human Development 3. Life as Theater: Some Notes on the Dramaturgic Approach to Social Reality 4. Role Taking: Process versus Conformity 5. Role Distance VIII PART III THE DRAMATURGICAL SELF 6. The Self as a Locus of Linguistic Causality 7. The Presentation of Self 8. Appearance and the Self: A Slightly Revised Version 9. Staging One's Ideal Self 10. The Presentation of Self and the New Institutional Inmate: An Analysis of Prisoners' Responses to Assessment for Release PART IV MOTIVATION AND DRAMA 11. Situated Actions and Vocabularies of Motive 12. Accounts 13. Remedial Work 14. The Reasons Considered 15. Convicted Rapists' Vocabulary of Motive: Excuses and Justifications PART V ORGANIZATIONAL DRAMAS 16. Death as Theater: A Dramaturgical Analysis of the American Funeral 17. False Pretense and Deviant Exploitation: Fortunetelling as a Con 18. To Be A Mediator: Expressive Tactics in Mediation 19. Dramatism and the Theatrical Metaphor PART VI POLITICAL DRAMAS 20. Propaganda with Design: Environmental Dramaturgy in the Political Rally 21. The Presidency and Impression Management 22. The Phenomenon of the Public Wife: An Exercise in Goffman's Impression Management 23. Dramaturgy and Political Mystification: Political Life in the United States
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