In a set of essays entitled 'Doubles author, critic, curator and traveller, Marina Vaizey explores pairings of artists drawn from the canonical cycle of Western art. She considers themes of engagement such as the portrait or figure, treated as stories of wider implication for society, that draw on the artist's perception of the seen, combined with personal visions of dreams and imagination. It is the supreme ability of art, perhaps its highest purpose -acknowledged or not - to show and tell: to show us what we are, and in so doing to tell us. Art even at its most abstract is story telling. And…mehr
In a set of essays entitled 'Doubles author, critic, curator and traveller, Marina Vaizey explores pairings of artists drawn from the canonical cycle of Western art. She considers themes of engagement such as the portrait or figure, treated as stories of wider implication for society, that draw on the artist's perception of the seen, combined with personal visions of dreams and imagination. It is the supreme ability of art, perhaps its highest purpose -acknowledged or not - to show and tell: to show us what we are, and in so doing to tell us. Art even at its most abstract is story telling. And what we like most is encapsulated in Alexander Pope's phrase from 1733, the proper study of mankind is man. Perhaps that explains that the artists who are among those most currently revered those exact contemporaries Rembrandt and Velazquez, Van Gogh and Munch, the appeal of the disruptive Francis Bacon and the joyful David Hockney are artists who in their own individual ways mare both disturbing and consoling. Marina Vaizey
Marina Vaizey is a lecturer, writer and art critic. She was the art critic of the Financial Times for four years, and The Sunday Times for eighteen years. She has been a council member of the Arts Council, the Crafts Council, several art colleges, national museums, Friends groups and arts centres. Among her books are The Artist as Photographer, 100 Masterpieces of Art, Great Women Collectors, and she has written numerous catalogues, led over fifty trips visiting cultural institutions abroad, and lectured to art societies and in museums and galleries. She is currently writing for theartsdesk.com, the Burlington magazine, Dispatches (Imperial War Museum) and the V & A magazine. For Cv Publications, she has written on Damien Hirst, Tracey Emin, David Hockney and Lucian Freud.
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