Life Writing Outside the Lines
Gender and Genre in the Americas
Herausgeber: Karpinski, Eva C; Chansky, Ricia
Life Writing Outside the Lines
Gender and Genre in the Americas
Herausgeber: Karpinski, Eva C; Chansky, Ricia
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Designed as a contribution to the field of transnational comparative American studies, this book focuses on gender in life writing that exceeds the boundaries of traditional genres. This book was originally published as a special issue of a/b: Auto/Biography Studies.
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Designed as a contribution to the field of transnational comparative American studies, this book focuses on gender in life writing that exceeds the boundaries of traditional genres. This book was originally published as a special issue of a/b: Auto/Biography Studies.
Produktdetails
- Produktdetails
- Verlag: Routledge
- Seitenzahl: 256
- Erscheinungstermin: 12. Februar 2020
- Englisch
- Abmessung: 234mm x 156mm x 18mm
- Gewicht: 572g
- ISBN-13: 9780367358303
- ISBN-10: 0367358301
- Artikelnr.: 69983637
- Verlag: Routledge
- Seitenzahl: 256
- Erscheinungstermin: 12. Februar 2020
- Englisch
- Abmessung: 234mm x 156mm x 18mm
- Gewicht: 572g
- ISBN-13: 9780367358303
- ISBN-10: 0367358301
- Artikelnr.: 69983637
Eva C. Karpinski is an Associate Professor in the School of Gender, Sexuality and Women's Studies at York University in Toronto, Canada. She is the author of Borrowed Tongues: Life Writing, Migration, and Translation (2012), and co-editor of Trans/Acting Culture, Writing, and Memory (2013). She is currently working on a book project on multilingual life writing. Ricia Anne Chansky is Professor of Literature at the University of Puerto Rico at Mayagüez. She is co-editor of a/b: Auto/Biography Studies, editor of the Routledge Auto/Biography Studies book series, and a Voice of Witness Fellow. She has recent and forthcoming publications on disaster studies, pedagogy, and contested identities.
Preface - After Lives: A Reflection on the 2017 IABAA Conference
Introduction - Finding Fragments: The Intersections of Gender and Genre in
Life Narratives Reflections 1. Cultivating Gullibility 2. Marlene Kadar
interview with Sidonie Smith - May 15, 2017 Forum: The Work of Marlene
Kadar 3. The Work of Marlene Kadar 4. Mar and Me: Following the Traces 5.
Marlene Kadar's Life Writing: Feminist Theory Outside the Lines 6. Working
(with) History: Marlene Kadar and Louise DeSalvo 7. Escape from the
Colonial Asylum 8. Inside the Cover, Outside the Archive: Reading the
Dispersal of Jane Rule's Library and Modes of Female Sociability 9.
Maternal Stars of the Silent Screen: Gender, Genre, and Photoplay Magazine
10. Unlikely Documents, Unexpected Places: The Limits of Archive 11. Frayed
Edges: Selfies, Auschwitz, and a Blushing Emoticon 12. Kim Thúy's Ru and
the Art of the Anecdote 13. Drawing a Narrative Landscape with Women
Refugees Essays 14. Translanguaging and Autobiogeography as Decolonial
Strategies for Writing Life Narratives within Displacement 15. Sick Women,
Sad Girls, and Selfie Theory: Autotheory as Contemporary Feminist Practice
16. Remembering Forgetting: Graphic Lives at the End of the Line 17.
Childhood Exile: Memories and Returns 18. Women Making Freedom: Locating
Gender in Intra-Caribbean Migration from a Curaçaoan Perspective The
Process 19. Rejecting Objectivity: Reflections of a Black Feminist
Researcher Interviewing Black Women How Would You Teach It? 20. The Work of
Teaching Women's Auto Bio Comics
Introduction - Finding Fragments: The Intersections of Gender and Genre in
Life Narratives Reflections 1. Cultivating Gullibility 2. Marlene Kadar
interview with Sidonie Smith - May 15, 2017 Forum: The Work of Marlene
Kadar 3. The Work of Marlene Kadar 4. Mar and Me: Following the Traces 5.
Marlene Kadar's Life Writing: Feminist Theory Outside the Lines 6. Working
(with) History: Marlene Kadar and Louise DeSalvo 7. Escape from the
Colonial Asylum 8. Inside the Cover, Outside the Archive: Reading the
Dispersal of Jane Rule's Library and Modes of Female Sociability 9.
Maternal Stars of the Silent Screen: Gender, Genre, and Photoplay Magazine
10. Unlikely Documents, Unexpected Places: The Limits of Archive 11. Frayed
Edges: Selfies, Auschwitz, and a Blushing Emoticon 12. Kim Thúy's Ru and
the Art of the Anecdote 13. Drawing a Narrative Landscape with Women
Refugees Essays 14. Translanguaging and Autobiogeography as Decolonial
Strategies for Writing Life Narratives within Displacement 15. Sick Women,
Sad Girls, and Selfie Theory: Autotheory as Contemporary Feminist Practice
16. Remembering Forgetting: Graphic Lives at the End of the Line 17.
Childhood Exile: Memories and Returns 18. Women Making Freedom: Locating
Gender in Intra-Caribbean Migration from a Curaçaoan Perspective The
Process 19. Rejecting Objectivity: Reflections of a Black Feminist
Researcher Interviewing Black Women How Would You Teach It? 20. The Work of
Teaching Women's Auto Bio Comics
Preface - After Lives: A Reflection on the 2017 IABAA Conference
Introduction - Finding Fragments: The Intersections of Gender and Genre in
Life Narratives Reflections 1. Cultivating Gullibility 2. Marlene Kadar
interview with Sidonie Smith - May 15, 2017 Forum: The Work of Marlene
Kadar 3. The Work of Marlene Kadar 4. Mar and Me: Following the Traces 5.
Marlene Kadar's Life Writing: Feminist Theory Outside the Lines 6. Working
(with) History: Marlene Kadar and Louise DeSalvo 7. Escape from the
Colonial Asylum 8. Inside the Cover, Outside the Archive: Reading the
Dispersal of Jane Rule's Library and Modes of Female Sociability 9.
Maternal Stars of the Silent Screen: Gender, Genre, and Photoplay Magazine
10. Unlikely Documents, Unexpected Places: The Limits of Archive 11. Frayed
Edges: Selfies, Auschwitz, and a Blushing Emoticon 12. Kim Thúy's Ru and
the Art of the Anecdote 13. Drawing a Narrative Landscape with Women
Refugees Essays 14. Translanguaging and Autobiogeography as Decolonial
Strategies for Writing Life Narratives within Displacement 15. Sick Women,
Sad Girls, and Selfie Theory: Autotheory as Contemporary Feminist Practice
16. Remembering Forgetting: Graphic Lives at the End of the Line 17.
Childhood Exile: Memories and Returns 18. Women Making Freedom: Locating
Gender in Intra-Caribbean Migration from a Curaçaoan Perspective The
Process 19. Rejecting Objectivity: Reflections of a Black Feminist
Researcher Interviewing Black Women How Would You Teach It? 20. The Work of
Teaching Women's Auto Bio Comics
Introduction - Finding Fragments: The Intersections of Gender and Genre in
Life Narratives Reflections 1. Cultivating Gullibility 2. Marlene Kadar
interview with Sidonie Smith - May 15, 2017 Forum: The Work of Marlene
Kadar 3. The Work of Marlene Kadar 4. Mar and Me: Following the Traces 5.
Marlene Kadar's Life Writing: Feminist Theory Outside the Lines 6. Working
(with) History: Marlene Kadar and Louise DeSalvo 7. Escape from the
Colonial Asylum 8. Inside the Cover, Outside the Archive: Reading the
Dispersal of Jane Rule's Library and Modes of Female Sociability 9.
Maternal Stars of the Silent Screen: Gender, Genre, and Photoplay Magazine
10. Unlikely Documents, Unexpected Places: The Limits of Archive 11. Frayed
Edges: Selfies, Auschwitz, and a Blushing Emoticon 12. Kim Thúy's Ru and
the Art of the Anecdote 13. Drawing a Narrative Landscape with Women
Refugees Essays 14. Translanguaging and Autobiogeography as Decolonial
Strategies for Writing Life Narratives within Displacement 15. Sick Women,
Sad Girls, and Selfie Theory: Autotheory as Contemporary Feminist Practice
16. Remembering Forgetting: Graphic Lives at the End of the Line 17.
Childhood Exile: Memories and Returns 18. Women Making Freedom: Locating
Gender in Intra-Caribbean Migration from a Curaçaoan Perspective The
Process 19. Rejecting Objectivity: Reflections of a Black Feminist
Researcher Interviewing Black Women How Would You Teach It? 20. The Work of
Teaching Women's Auto Bio Comics