Lifes Little Ironies - Hardy, Thomas
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Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - To the eyes of a man viewing it from behind, the nut-brown hair was a wonder and a mystery. Under the black beaver hat, surmounted by its tuft of black feathers, the long locks, braided and twisted and coiled like the rushes of a basket, composed a rare, if some-what barbaric, example of ingenious art. One could understand such weavings and coilings being wrought to last intact for a year, or even a calendar month; but that they…mehr

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Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - To the eyes of a man viewing it from behind, the nut-brown hair was a wonder and a mystery. Under the black beaver hat, surmounted by its tuft of black feathers, the long locks, braided and twisted and coiled like the rushes of a basket, composed a rare, if some-what barbaric, example of ingenious art. One could understand such weavings and coilings being wrought to last intact for a year, or even a calendar month; but that they should be all demolished regularly at bedtime, after a single day of permanence, seemed a reckless waste of successful fabrication. And she had done it all herself, poor thing. She had no maid, and it was almost the only accomplishment she could boast of. Hence the unstinted pains. She was a young invalid lady - not so very much of an invalid - sitting in a wheeled chair, which had been pulled up in the front part of a green enclosure, close to a bandstand, where a concert was going on, during a warm June afternoon. It had place in one of the minor parks or private gardens that are to be found in the suburbs of London, and was the effort of a local association to raise money for some charity. There are worlds within worlds in the great city, and though nobody outside the immediate district had ever heard of the charity, or the band, or the garden, the enclosure was filled with an interested audience sufficiently informed on all these.
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Autorenporträt
Thomas Hardy (1840 - 1928) was an English novelist and poet. A Victorian realist in the tradition of George Eliot, he was influenced both in his novels and in his poetry by Romanticism, especially William Wordsworth. He was highly critical of much in Victorian society, though Hardy focused more on a declining rural society. While Hardy wrote poetry throughout his life and regarded himself primarily as a poet, his first collection was not published until 1898. Initially, therefore, he gained fame as the author of such novels as Far from the Madding Crowd (1874), The Mayor of Casterbridge (1886), Tess of the d'Urbervilles (1891), and Jude the Obscure (1895). During his lifetime, Hardy's poetry was acclaimed by younger poets (particularly the Georgians) who viewed him as a mentor. After his death his poems were lauded by Ezra Pound, W. H. Auden and Philip Larkin. Many of his novels concern tragic characters struggling against their passions and social circumstances and they are often set in the semi-fictional region of Wessex; initially based on the medieval Anglo-Saxon kingdom, Hardy's Wessex eventually came to include the counties of Dorset, Wiltshire, Somerset, Devon, Hampshire and much of Berkshire, in southwest and south central England. He destroyed the manuscript of his first, unplaced novel, but -- encouraged by mentor and friend George Meredith -- tried again. His important work took place in an area of southern England he called Wessex, named after the English kingdom that existed before the Norman Conquest.