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"A stunning model of non-anthropocentric art history, Anthony Grudin's deeply empathetic and humane book explores intersections of animality, corporeality, and sexuality in Andy Warhol's life and art, including his actual and psychic involvements with nonhuman animals and their erotic lives and ecologies. It will reorient thinking about the texture of Warhol's imaginative achievements."--Whitney Davis, Pardee Professor of History and Theory of Ancient and Modern Art, University of California at Berkeley "How can it be that we had to wait until this book by Anthony Grudin to recognize the…mehr

Produktbeschreibung
"A stunning model of non-anthropocentric art history, Anthony Grudin's deeply empathetic and humane book explores intersections of animality, corporeality, and sexuality in Andy Warhol's life and art, including his actual and psychic involvements with nonhuman animals and their erotic lives and ecologies. It will reorient thinking about the texture of Warhol's imaginative achievements."--Whitney Davis, Pardee Professor of History and Theory of Ancient and Modern Art, University of California at Berkeley "How can it be that we had to wait until this book by Anthony Grudin to recognize the profound, perplexing place that animals had in Andy Warhol's life and art? From the pet cats he drew in the 1950s to the endangered species he portrayed in the '80s, Warhol comes alive in Grudin's book in his full creaturely--sometimes beastly--essence."--Blake Gopnik, author of Warhol
Autorenporträt
Anthony E. Grudin, author of Warhol's Working Class: Pop Art and Egalitarianism, is a mental health counselor and art historian who has taught at University of Vermont, California College of the Arts, and University of California, Berkeley.