Liminal Contact - Rimell, Bruce
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The alleged 'death' of painting has shaped the recent course of art, but the model of the human mind upon which it rests is no longer considered accurate. Cognitive science has shown that the mind is not a blank slate but content-rich, and as such humans bear an array of innate expectations of reality and non-reality, which apply to painting as well as other human behaviours such as religion or music. This creative thesis takes in a series of case studies tracing the prehistory of painting in light of these cognitive propensities, from the beginnings of human culture, to Bushman rock art and…mehr

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Produktbeschreibung
The alleged 'death' of painting has shaped the recent course of art, but the model of the human mind upon which it rests is no longer considered accurate. Cognitive science has shown that the mind is not a blank slate but content-rich, and as such humans bear an array of innate expectations of reality and non-reality, which apply to painting as well as other human behaviours such as religion or music. This creative thesis takes in a series of case studies tracing the prehistory of painting in light of these cognitive propensities, from the beginnings of human culture, to Bushman rock art and the experiences of painters today, to uncover a perennial function for painting which cannot die: the ubiquitous sensation of an 'otherworld' beyond the canvas or rock face. This approach to painting demands its rehabilitation as a humanising self-expression in a world increasingly estranged from art, abandoning artistic ideology in favour of an image-based communion with human nature.
Autorenporträt
Bruce Rimell is a British artist and poet. Previous poetic works include his poetic autobiography 'Nine Nights Awake', an ambitiously wild, queer, and fractured take on epic poetry and memoir, as well as 'Wanderer: Songs of Solitude, Fragility, and Change', a poetic retrospective from the last four years. Forthcoming publications include 'Elegies And Dirty Truths', a savage but beautiful portrait of some of the darkest, sorrowful aspects of Queer life, and two poetic travelogues: one a journey to Iceland, and the other an encounter with Aphrodite on the island of Milos, Greece. You can discover his art, and more about his poetry at the website www.biroz.net