Liminality and the Short Story
Boundary Crossings in American, Canadian, and British Writing
Herausgeber: Achilles, Jochen; Bergmann, Ina
Liminality and the Short Story
Boundary Crossings in American, Canadian, and British Writing
Herausgeber: Achilles, Jochen; Bergmann, Ina
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This book is a study of the short story, one of the widest taught genres in English literature, from an innovative methodological perspective. Both liminality and the short story are well-researched phenomena, but the combination of both is not frequent. This innovative collection discusses the relevance of the concept of limina
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This book is a study of the short story, one of the widest taught genres in English literature, from an innovative methodological perspective. Both liminality and the short story are well-researched phenomena, but the combination of both is not frequent. This innovative collection discusses the relevance of the concept of limina
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 282
- Erscheinungstermin: 10. Dezember 2019
- Englisch
- Abmessung: 257mm x 183mm x 18mm
- Gewicht: 522g
- ISBN-13: 9780367869304
- ISBN-10: 0367869306
- Artikelnr.: 58483237
- Verlag: Taylor & Francis
- Seitenzahl: 282
- Erscheinungstermin: 10. Dezember 2019
- Englisch
- Abmessung: 257mm x 183mm x 18mm
- Gewicht: 522g
- ISBN-13: 9780367869304
- ISBN-10: 0367869306
- Artikelnr.: 58483237
Jochen Achilles is Professor of American Studies at the University of Wuerzburg, Germany. His authored book publications include a study on the development of Sean O'Casey's plays in the context of modern drama and a book on the interface between the gothic tradition and psychological fiction, focusing on Sheridan Le Fanu. His most recent book publications are co-edited volumes on representations of evil in fiction and film (2009) and on liminal anthropologies (2012). Ina Bergmann is Associate Professor of American Studies at the University of Wuerzburg, Germany. She is the author of And Then the Child Becomes a Woman (2003) and co-editor of Global Challenges and Regional Responses in Contemporary Drama in English (2003) and Representations of Evil in Fiction and Film (2009).
Part I: Liminality and the Short Story 1.1 Uses of Liminality 1. "Betwixt
and Between": Boundary Crossings in American, Canadian, and British Short
Fiction Jochen Achilles and Ina Bergmann Part II: The Liminality of the
Short Story 2.1 Conceptualizations of Liminality 2. Modes of Liminality in
American Short Fiction: Condensations of Multiple Identities Jochen
Achilles 3. Liminal and Liminoid Discourses in Modernist Women's Short
Fiction: Performance, Spectatorship, and Cinema Claire Drewery 4. In the
Generic Interzone: On the Liminal Character of William S. Burroughs's
Routines Florian Zappe 2.2 Methods of Approach 5. Cognitive Liminality: On
the Epistemology of the Short Story Michael Basseler 6. Experiencing Short
Stories: A Cognitive Approach Focusing on Reading Narrative Space Renate
Brosch 7. Between Story and Essay: Micro-Markers of Storyness Susan Lohafer
2.3 Conditions of Publication 8. "Small Tales": Brevity and Liminality in
Early American Magazines Oliver Scheiding 9. The Liminal Spaces of
Hawthorne's Short Story Cycles: Rites of Passage in History and
Story-Telling Alfred Bendixen 10. Variety in Unity, Unity in Variety: The
Liminal Space of the American Short Story Anthology Kasia Boddy Part III:
Liminality in the Short Story 3.1 Contexts of Writing 11. "I Have Heard
Many Stranger Stories than This, in the Villages Along the Hudson": Magic
Realism in Upstate New York Ina Bergmann 12. Madness as a Liminal State in
the American Short Story: Edgar Allan Poe's Ratiocin
and Between": Boundary Crossings in American, Canadian, and British Short
Fiction Jochen Achilles and Ina Bergmann Part II: The Liminality of the
Short Story 2.1 Conceptualizations of Liminality 2. Modes of Liminality in
American Short Fiction: Condensations of Multiple Identities Jochen
Achilles 3. Liminal and Liminoid Discourses in Modernist Women's Short
Fiction: Performance, Spectatorship, and Cinema Claire Drewery 4. In the
Generic Interzone: On the Liminal Character of William S. Burroughs's
Routines Florian Zappe 2.2 Methods of Approach 5. Cognitive Liminality: On
the Epistemology of the Short Story Michael Basseler 6. Experiencing Short
Stories: A Cognitive Approach Focusing on Reading Narrative Space Renate
Brosch 7. Between Story and Essay: Micro-Markers of Storyness Susan Lohafer
2.3 Conditions of Publication 8. "Small Tales": Brevity and Liminality in
Early American Magazines Oliver Scheiding 9. The Liminal Spaces of
Hawthorne's Short Story Cycles: Rites of Passage in History and
Story-Telling Alfred Bendixen 10. Variety in Unity, Unity in Variety: The
Liminal Space of the American Short Story Anthology Kasia Boddy Part III:
Liminality in the Short Story 3.1 Contexts of Writing 11. "I Have Heard
Many Stranger Stories than This, in the Villages Along the Hudson": Magic
Realism in Upstate New York Ina Bergmann 12. Madness as a Liminal State in
the American Short Story: Edgar Allan Poe's Ratiocin
Part I: Liminality and the Short Story 1.1 Uses of Liminality 1. "Betwixt
and Between": Boundary Crossings in American, Canadian, and British Short
Fiction Jochen Achilles and Ina Bergmann Part II: The Liminality of the
Short Story 2.1 Conceptualizations of Liminality 2. Modes of Liminality in
American Short Fiction: Condensations of Multiple Identities Jochen
Achilles 3. Liminal and Liminoid Discourses in Modernist Women's Short
Fiction: Performance, Spectatorship, and Cinema Claire Drewery 4. In the
Generic Interzone: On the Liminal Character of William S. Burroughs's
Routines Florian Zappe 2.2 Methods of Approach 5. Cognitive Liminality: On
the Epistemology of the Short Story Michael Basseler 6. Experiencing Short
Stories: A Cognitive Approach Focusing on Reading Narrative Space Renate
Brosch 7. Between Story and Essay: Micro-Markers of Storyness Susan Lohafer
2.3 Conditions of Publication 8. "Small Tales": Brevity and Liminality in
Early American Magazines Oliver Scheiding 9. The Liminal Spaces of
Hawthorne's Short Story Cycles: Rites of Passage in History and
Story-Telling Alfred Bendixen 10. Variety in Unity, Unity in Variety: The
Liminal Space of the American Short Story Anthology Kasia Boddy Part III:
Liminality in the Short Story 3.1 Contexts of Writing 11. "I Have Heard
Many Stranger Stories than This, in the Villages Along the Hudson": Magic
Realism in Upstate New York Ina Bergmann 12. Madness as a Liminal State in
the American Short Story: Edgar Allan Poe's Ratiocin
and Between": Boundary Crossings in American, Canadian, and British Short
Fiction Jochen Achilles and Ina Bergmann Part II: The Liminality of the
Short Story 2.1 Conceptualizations of Liminality 2. Modes of Liminality in
American Short Fiction: Condensations of Multiple Identities Jochen
Achilles 3. Liminal and Liminoid Discourses in Modernist Women's Short
Fiction: Performance, Spectatorship, and Cinema Claire Drewery 4. In the
Generic Interzone: On the Liminal Character of William S. Burroughs's
Routines Florian Zappe 2.2 Methods of Approach 5. Cognitive Liminality: On
the Epistemology of the Short Story Michael Basseler 6. Experiencing Short
Stories: A Cognitive Approach Focusing on Reading Narrative Space Renate
Brosch 7. Between Story and Essay: Micro-Markers of Storyness Susan Lohafer
2.3 Conditions of Publication 8. "Small Tales": Brevity and Liminality in
Early American Magazines Oliver Scheiding 9. The Liminal Spaces of
Hawthorne's Short Story Cycles: Rites of Passage in History and
Story-Telling Alfred Bendixen 10. Variety in Unity, Unity in Variety: The
Liminal Space of the American Short Story Anthology Kasia Boddy Part III:
Liminality in the Short Story 3.1 Contexts of Writing 11. "I Have Heard
Many Stranger Stories than This, in the Villages Along the Hudson": Magic
Realism in Upstate New York Ina Bergmann 12. Madness as a Liminal State in
the American Short Story: Edgar Allan Poe's Ratiocin