Listen - Faber, Michel
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"I'm not here to change your mind about Dusty Springfield or Shostakovich or Tupac Shakur or synthpop. I'm here to change your mind about your mind." There are countless books on music with much analysis given to musicians, bands, eras and/or genres. But rarely does a book delve into what's going on inside us when we listen. Michel Faber explores two big questions: how do we listen to music and why do we listen to music? To answer these questions, he considers a range of factors, which includes age, illness, the notion of "cool," commerce, the dichotomy between "good" and "bad" taste and much…mehr

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Produktbeschreibung
"I'm not here to change your mind about Dusty Springfield or Shostakovich or Tupac Shakur or synthpop. I'm here to change your mind about your mind." There are countless books on music with much analysis given to musicians, bands, eras and/or genres. But rarely does a book delve into what's going on inside us when we listen. Michel Faber explores two big questions: how do we listen to music and why do we listen to music? To answer these questions, he considers a range of factors, which includes age, illness, the notion of "cool," commerce, the dichotomy between "good" and "bad" taste and much more. From the award-winning author of The Crimson Petal and the White and Under the Skin, this idiosyncratic and philosophical book reflects Michel Faber's lifelong obsession with music of all kinds. Listen will change your relationship with the heard world.
Autorenporträt
MICHEL FABER has written seven other books, including the highly acclaimed The Crimson Petal and the White, The Fahrenheit Twins and the Whitbread-short-listed novel Under the Skin. The Apple, based on characters in The Crimson Petal and the White, was published in 2006. He has also written two novellas and has won several short story awards, including the Neil Gunn, Ian St. James and Macallan. Born in Holland and brought up in Australia, he now lives on the south coast of England.
Rezensionen
By turns discursive, celebratory and reflective . . . a beautifully written paean to music, examining the role that it plays in our lives and what it has meant to Faber himself. He is no snob, but no indulgent populist, either. Instead, he has written the best book of its type since Alex Ross's The Rest Is Noise Observer