David F. Garcia is Associate Professor of Ethnomusicology at the University of North Carolina, Chapel Hill, and the author of Arsenio Rodríguez and the Transnational Flows of Latin Popular Music.
David F. Garcia is Associate Professor of Ethnomusicology at the University of North Carolina, Chapel Hill, and the author of Arsenio Rodríguez and the Transnational Flows of Latin Popular Music.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Preface ix Acknowledgments xi Introduction 1 1. Analyzing the African Origins of Negro Music and Dance in a Time of Racism, Fascism, and War 21 2. Listening to Africa in the City, in the Laboratory, and on Record 74 3. Embodying Africa against Racial Oppression, Ignorance, and Colonialism 124 4. Disalienating Movement and Sound from the Pathologies of Freedom and Time 173 5. Desiring Africa, or Western Civilization's Discontents 221 Conclusion. Dance-Music as Rhizome 268 Notes 277 Bibliography 323 Index 345
Preface ix Acknowledgments xi Introduction 1 1. Analyzing the African Origins of Negro Music and Dance in a Time of Racism, Fascism, and War 21 2. Listening to Africa in the City, in the Laboratory, and on Record 74 3. Embodying Africa against Racial Oppression, Ignorance, and Colonialism 124 4. Disalienating Movement and Sound from the Pathologies of Freedom and Time 173 5. Desiring Africa, or Western Civilization's Discontents 221 Conclusion. Dance-Music as Rhizome 268 Notes 277 Bibliography 323 Index 345
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