Korstvedt explains key concepts from Bloch's musical philosophy, making his complex ideas accessible for modern musical scholars.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Benjamin M. Korstvedt is the George N. and Selma U. Jeppson Professor of Music at Clark University, Worcester, Massachusetts and a former Senior Fellow at the Internationales Forschungszentrum Kulturwissenschaften in Vienna. He is the author of Bruckner: Symphony No. 8 in the Cambridge Music Handbooks series, and has published articles on Bruckner's symphonies, music criticism in fin-de-siécle Vienna, and Bruckner scholarship in the Third Reich. He is the editor of the first modern edition of the 1888 version of Bruckner's Fourth Symphony, which is published as part of the Bruckner Collected Works edition (Vienna, 2004) and has been widely performed and recorded.
Inhaltsangabe
Preface Introduction 1. Bloch's Teppich: an initial approach 2. On the genealogy of the Teppich: metaphor before Bloch 3. The conceptual constellation of Bloch's musical philosophy 4. Entering Bloch's musical system 5. Wagner's animal lyricism 6. Bloch's vision of the armored men, or the limits of enlightenment 7. The achievement of symphonic authenticity 8. Epilogue: an atheism of presence and absence Bibliography.
Preface Introduction 1. Bloch's Teppich: an initial approach 2. On the genealogy of the Teppich: metaphor before Bloch 3. The conceptual constellation of Bloch's musical philosophy 4. Entering Bloch's musical system 5. Wagner's animal lyricism 6. Bloch's vision of the armored men, or the limits of enlightenment 7. The achievement of symphonic authenticity 8. Epilogue: an atheism of presence and absence Bibliography.
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