Tina M. Campt explores a way of listening to photography by engaging with lost archives of state identification photographs of Afro-diasporan people taken between the late 1800s and the present, showing how to hear the quiet refusal emanating from these photos originally intended to dehumanize and police their subjects.
Tina M. Campt explores a way of listening to photography by engaging with lost archives of state identification photographs of Afro-diasporan people taken between the late 1800s and the present, showing how to hear the quiet refusal emanating from these photos originally intended to dehumanize and police their subjects.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Tina M. Campt is Claire Tow and Ann Whitney Olin Professor of Africana and Women's, Gender and Sexuality Studies and Director of the Barnard Center for Research on Women at Barnard College, and the author of Image Matters: Archive, Photography, and the African Diaspora in Europe, also published by Duke University Press.
Inhaltsangabe
Acknowledgments vii Introduction. Listening to Images: An Execise in Counterintuition 1 1. Quick Soundings: The Grammar of Black Futurity 13 2. Striking Poses in a Tense Grammar: Stasis and the Frequency of Black Refusal 47 3. Haptic Temporalities: The Quiet Frequency of Touch 69 Coda. Black Futurity and the Echo of Premature Death 101 Notes 119 Bibliography 127 Illustration Credits 131 Index 137
Acknowledgments vii Introduction. Listening to Images: An Execise in Counterintuition 1 1. Quick Soundings: The Grammar of Black Futurity 13 2. Striking Poses in a Tense Grammar: Stasis and the Frequency of Black Refusal 47 3. Haptic Temporalities: The Quiet Frequency of Touch 69 Coda. Black Futurity and the Echo of Premature Death 101 Notes 119 Bibliography 127 Illustration Credits 131 Index 137
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