In Listening to Stanley Kubrick, Christine Gengaro provides an in-depth exploration of the music that was composed for Stanley Kubrick's films and places the preexistent music he utilized into historical context. This book offers a thoroughly researched examination into the musical elements of one of cinema's most brilliant artists.
In Listening to Stanley Kubrick, Christine Gengaro provides an in-depth exploration of the music that was composed for Stanley Kubrick's films and places the preexistent music he utilized into historical context. This book offers a thoroughly researched examination into the musical elements of one of cinema's most brilliant artists.
Christine Lee Gengaro, PhD, is associate professor in the department of music at Los Angeles City College. She has contributed essays to The Journal of Popular Music and Society, Anthony Burgess and Modernity (2008), and The Worlds of Back to the Future (2010).
Inhaltsangabe
Table of Contents Acknowledgments Introduction Chapter 1 Early Projects Chapter 2 Love Themes, Leitmotifs, and Pop Music Chapter 3 The Music of the Spheres Chapter 4 "It Was Lovely Music That Came to My Aid" Chapter 5 "I Was Lucky Enough to Have Superb Material to Work With" Chapter 6 Midnight, the Stars, and You Chapter 7 Kubrick's Final Word Appendices Films and Their Source Material Synopses of Soundtracks and Track Lists Bibliography
Table of Contents Acknowledgments Introduction Chapter 1 Early Projects Chapter 2 Love Themes, Leitmotifs, and Pop Music Chapter 3 The Music of the Spheres Chapter 4 "It Was Lovely Music That Came to My Aid" Chapter 5 "I Was Lucky Enough to Have Superb Material to Work With" Chapter 6 Midnight, the Stars, and You Chapter 7 Kubrick's Final Word Appendices Films and Their Source Material Synopses of Soundtracks and Track Lists Bibliography
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