Explores Liszt's compositional processes and methods of revision as the product of the composer's interactions with a large variety of social, cultural, personal and political forces.
Explores Liszt's compositional processes and methods of revision as the product of the composer's interactions with a large variety of social, cultural, personal and political forces.
Introduction Part I 1 (Inter)Textual Preferences: The Elusive Quest for Urtexts in the Lieder of Franz Liszt 2 Palimpsests: Variants, Recompositions, and Resettings Part II 3 Crossing the Horizon of Expectations: The Contemporaneous Reception of Liszt's Early Lieder 4 The 'Virtuoso Period' and 'Weimar Years' in the Development of Liszt's Lieder Style Part III 5 A Selection Box of Fluid Texts: Contrasting Revision Processes in Three of Liszt's Lieder 6 'Not "Carthage is to be destroyed", but "Weimar is to be constructed"': Textual Fluidity in Liszt's Goethe Lieder 7 From the Concert Hall to the Drawing Room...and Back: Drei Lieder aus Schillers 'Wilhelm Tell' Epilogue Appendix Bibliography Index
Introduction Part I 1 (Inter)Textual Preferences: The Elusive Quest for Urtexts in the Lieder of Franz Liszt 2 Palimpsests: Variants, Recompositions, and Resettings Part II 3 Crossing the Horizon of Expectations: The Contemporaneous Reception of Liszt's Early Lieder 4 The 'Virtuoso Period' and 'Weimar Years' in the Development of Liszt's Lieder Style Part III 5 A Selection Box of Fluid Texts: Contrasting Revision Processes in Three of Liszt's Lieder 6 'Not "Carthage is to be destroyed", but "Weimar is to be constructed"': Textual Fluidity in Liszt's Goethe Lieder 7 From the Concert Hall to the Drawing Room...and Back: Drei Lieder aus Schillers 'Wilhelm Tell' Epilogue Appendix Bibliography Index
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