Britten is the most literary British composer of the twentieth century. His relationship to the many and varied texts that he set was deeply committed and sensitive. As a result, both his responses to poetry and his collaborationswith his librettists tell us a great deal about his music, and often, about the man himself.
Britten is the most literary British composer of the twentieth century. His relationship to the many and varied texts that he set was deeply committed and sensitive. As a result, both his responses to poetry and his collaborationswith his librettists tell us a great deal about his music, and often, about the man himself.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Introduction Kate Kennedy Britten and His Librettists: The Composer as Auteur Mervyn Cooke Britten, Auden and the 1930s John Fuller James, Britten, Piper and the Literary Supernatural: The Changing 'vision of evil' in The Turn of the Screw and Owen Wingrave Nick Clark 'Thought's Wildernesses': The Development of Britten's Nocturne from Library to Score Kate Kennedy 'Reading at Intervals': Britten's Romantic Poetry Brian Young Britten's Drops: The Lyric into Song Rebekah Scott 'Without any tune': The Role of the Discursive Shift in Britten's Interpretation of Poetry Vicki P. Stroeher Britten and Modern Tragedy Adrian Poole Settings from Boyhood Lucy Walker 'Practical Jokes': Britten and Auden's Our Hunting Fathers Revisited Joanna Bullivant Choice and Inevitability: The Moral Economy of Peter Grimes Philip Ross Bullock Sin, Death, and Love: Britten's Holy Sonnets of John Donne David Fuller Britten's Donne Meditation Justin Vickers Scenes from Britten's Spring Symphony Philip Rupprecht 'I have read Billy Budd': The Forster Britten reading(s) of Melville Hanna Rochlitz Miles Must Die: Ideological Uses of 'innocence' in Britten's The Turn of the Screw Benjamin Britten and Medieval Drama at Chester: From Abraham and Isaac to 'The Nativity' Peter Happe Ambiguous Venice John Hopkins Bibliography
Introduction Kate Kennedy Britten and His Librettists: The Composer as Auteur Mervyn Cooke Britten, Auden and the 1930s John Fuller James, Britten, Piper and the Literary Supernatural: The Changing 'vision of evil' in The Turn of the Screw and Owen Wingrave Nick Clark 'Thought's Wildernesses': The Development of Britten's Nocturne from Library to Score Kate Kennedy 'Reading at Intervals': Britten's Romantic Poetry Brian Young Britten's Drops: The Lyric into Song Rebekah Scott 'Without any tune': The Role of the Discursive Shift in Britten's Interpretation of Poetry Vicki P. Stroeher Britten and Modern Tragedy Adrian Poole Settings from Boyhood Lucy Walker 'Practical Jokes': Britten and Auden's Our Hunting Fathers Revisited Joanna Bullivant Choice and Inevitability: The Moral Economy of Peter Grimes Philip Ross Bullock Sin, Death, and Love: Britten's Holy Sonnets of John Donne David Fuller Britten's Donne Meditation Justin Vickers Scenes from Britten's Spring Symphony Philip Rupprecht 'I have read Billy Budd': The Forster Britten reading(s) of Melville Hanna Rochlitz Miles Must Die: Ideological Uses of 'innocence' in Britten's The Turn of the Screw Benjamin Britten and Medieval Drama at Chester: From Abraham and Isaac to 'The Nativity' Peter Happe Ambiguous Venice John Hopkins Bibliography
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
USt-IdNr: DE450055826
