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A history of creative writing programmes in British and American universities, from the 1930s onwards, that argues against the notion that creative writing programmes are driven by conformity.
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A history of creative writing programmes in British and American universities, from the 1930s onwards, that argues against the notion that creative writing programmes are driven by conformity.
Produktdetails
- Produktdetails
- Verlag: Oxford University Press, USA
- Seitenzahl: 288
- Erscheinungstermin: 20. Januar 2023
- Englisch
- Abmessung: 238mm x 164mm x 23mm
- Gewicht: 594g
- ISBN-13: 9780192855305
- ISBN-10: 0192855301
- Artikelnr.: 66127740
- Verlag: Oxford University Press, USA
- Seitenzahl: 288
- Erscheinungstermin: 20. Januar 2023
- Englisch
- Abmessung: 238mm x 164mm x 23mm
- Gewicht: 594g
- ISBN-13: 9780192855305
- ISBN-10: 0192855301
- Artikelnr.: 66127740
Lise Jaillant is Senior Lecturer (Associate Professor) in the School of Social Sciences and Humanities at Loughborough University. She specialises in twentieth-century literary institutions, with a special interest in publishers and creative writing programmes. She is author of Modernism, Middlebrow and the Literary Canon: The Modern Library Series, 1917-1955 (Routledge, 2014) and Cheap Modernism: Expanding Markets, Publishers' Series and the Avant-Garde (EUP, 2017) and editor of Publishing Modernist Fiction and Poetry (EUP, 2019). Taken together, these three books offer a broad overview of Anglo-American publishers in the early-twentieth-century, and their influence on the diffusion of modern literature.
* Introduction
* Part I: USA
* 1: Think Global, Act Local: Paul Engle and the Modernist Roots of
Creative Writing at the University of Iowa
* 2: "I'm Afraid I've Got Involved With a Nut": William Faulkner,
Random House and the Postwar Generation of Aspiring Writers
* 3: Healing the Breach between Writers and Scholars? Wallace Stegner
and the Diffusion of the Creative Writing Gospel
* 4: Fighting Organization Man: The Rockefeller Foundation and the
Re-discovery of the Individual Creative Writer
* 5: Fame, Fortune, and Freedom: The Rise and Fall of the Famous
Writers School
* Part II: UK
* 6: Myth Maker: Malcolm Bradbury and the Creation of Creative Writing
at UEA
* 7: Lorry-Driver Poets and Student Radicals: Inventing the
"Writer-in-Residence" in Britain
* 8: Kazuo Ishiguro: "The First Product of a Creative Writing Course to
Win the Nobel"
* 9: Beyond Academia: From Arvon to the Faber Academy
* Epilogue: The Future of Creative Writing Programmes in Continental
Europe
* Conclusion: Rebel Forever? How to be a Writer in the Program Era
* Afterword
* Works Cited
* Part I: USA
* 1: Think Global, Act Local: Paul Engle and the Modernist Roots of
Creative Writing at the University of Iowa
* 2: "I'm Afraid I've Got Involved With a Nut": William Faulkner,
Random House and the Postwar Generation of Aspiring Writers
* 3: Healing the Breach between Writers and Scholars? Wallace Stegner
and the Diffusion of the Creative Writing Gospel
* 4: Fighting Organization Man: The Rockefeller Foundation and the
Re-discovery of the Individual Creative Writer
* 5: Fame, Fortune, and Freedom: The Rise and Fall of the Famous
Writers School
* Part II: UK
* 6: Myth Maker: Malcolm Bradbury and the Creation of Creative Writing
at UEA
* 7: Lorry-Driver Poets and Student Radicals: Inventing the
"Writer-in-Residence" in Britain
* 8: Kazuo Ishiguro: "The First Product of a Creative Writing Course to
Win the Nobel"
* 9: Beyond Academia: From Arvon to the Faber Academy
* Epilogue: The Future of Creative Writing Programmes in Continental
Europe
* Conclusion: Rebel Forever? How to be a Writer in the Program Era
* Afterword
* Works Cited
* Introduction
* Part I: USA
* 1: Think Global, Act Local: Paul Engle and the Modernist Roots of
Creative Writing at the University of Iowa
* 2: "I'm Afraid I've Got Involved With a Nut": William Faulkner,
Random House and the Postwar Generation of Aspiring Writers
* 3: Healing the Breach between Writers and Scholars? Wallace Stegner
and the Diffusion of the Creative Writing Gospel
* 4: Fighting Organization Man: The Rockefeller Foundation and the
Re-discovery of the Individual Creative Writer
* 5: Fame, Fortune, and Freedom: The Rise and Fall of the Famous
Writers School
* Part II: UK
* 6: Myth Maker: Malcolm Bradbury and the Creation of Creative Writing
at UEA
* 7: Lorry-Driver Poets and Student Radicals: Inventing the
"Writer-in-Residence" in Britain
* 8: Kazuo Ishiguro: "The First Product of a Creative Writing Course to
Win the Nobel"
* 9: Beyond Academia: From Arvon to the Faber Academy
* Epilogue: The Future of Creative Writing Programmes in Continental
Europe
* Conclusion: Rebel Forever? How to be a Writer in the Program Era
* Afterword
* Works Cited
* Part I: USA
* 1: Think Global, Act Local: Paul Engle and the Modernist Roots of
Creative Writing at the University of Iowa
* 2: "I'm Afraid I've Got Involved With a Nut": William Faulkner,
Random House and the Postwar Generation of Aspiring Writers
* 3: Healing the Breach between Writers and Scholars? Wallace Stegner
and the Diffusion of the Creative Writing Gospel
* 4: Fighting Organization Man: The Rockefeller Foundation and the
Re-discovery of the Individual Creative Writer
* 5: Fame, Fortune, and Freedom: The Rise and Fall of the Famous
Writers School
* Part II: UK
* 6: Myth Maker: Malcolm Bradbury and the Creation of Creative Writing
at UEA
* 7: Lorry-Driver Poets and Student Radicals: Inventing the
"Writer-in-Residence" in Britain
* 8: Kazuo Ishiguro: "The First Product of a Creative Writing Course to
Win the Nobel"
* 9: Beyond Academia: From Arvon to the Faber Academy
* Epilogue: The Future of Creative Writing Programmes in Continental
Europe
* Conclusion: Rebel Forever? How to be a Writer in the Program Era
* Afterword
* Works Cited