This collection examines literary criticism in postwar Japan. The contributors analyze the debates that occurred among Japanese intellectuals and highlight the various ideological forces that shaped the country's postwar trajectory.
This collection examines literary criticism in postwar Japan. The contributors analyze the debates that occurred among Japanese intellectuals and highlight the various ideological forces that shaped the country's postwar trajectory.
Atsuko Ueda is associate professor of modern Japanese literature at Princeton University. Michael K. Bourdaghs is Robert S. Ingersoll Professor in East Asian Languages and Civilizations at the University of Chicago. Richi Sakakibara is professor of modern Japanese literature at Waseda University. Hirokazu Toeda is professor of modern Japanese literature at Waseda University.
Inhaltsangabe
Introduction, Atsuko Ueda, Richi Sakakibara, Michael K. Bourdaghs, and Hirokazu Toeda Part I: Foregrounding the Cold War Chapter 1: Early Freeze Warning: The Politics and Literature Debate as Cold War Culture, Michael K. Bourdaghs Chapter 2: The Korean War and Disputed Memories: Kim Dal-su's Nihon no fuyu and the 1955 System, Ko Youngran, translated by Michael K. Bourdaghs Chapter 3: Politics and Culture of Fascism, Ann Sherif Part II: Structures of Concealment: Cultural Anxieties Chapter 4: Cultural Resentment and Valorization in Postwar Japanese Literary Criticism: Nakamura Mitsuo's Literary History, Atsuko Ueda Chapter 5: Small Hopes and a Terror: Kat Sh ichi's and Mori Arimasa's 1955 Return from France, Doug Slaymaker Chapter 6: Language and the People: The Amateur Writing Subject in Kindai bungaku, Shin Nihon bungaku, and Shis no kagaku, Richi Sakakibara, translated by Atsuko Ueda Part III: Continuity and Discontinuity: Subjective Rupture and Dislocation Chapter 7: Temporalities of Ruin: Shiina Rinz and the Subject of Tenk , Seiji M. Lippit Chapter 8: Literature at War's End: The Prosecution of Writers in Bungaku jihy , James Dorsey Chapter 9: From the God of Literature to War Criminal: The Media and the Shifting Image of Yokomitsu Riichi from Prewar and Wartime to the Postwar Era, Toeda Hirokazu, translated by Atsuko Ueda
Introduction, Atsuko Ueda, Richi Sakakibara, Michael K. Bourdaghs, and Hirokazu Toeda Part I: Foregrounding the Cold War Chapter 1: Early Freeze Warning: The Politics and Literature Debate as Cold War Culture, Michael K. Bourdaghs Chapter 2: The Korean War and Disputed Memories: Kim Dal-su's Nihon no fuyu and the 1955 System, Ko Youngran, translated by Michael K. Bourdaghs Chapter 3: Politics and Culture of Fascism, Ann Sherif Part II: Structures of Concealment: Cultural Anxieties Chapter 4: Cultural Resentment and Valorization in Postwar Japanese Literary Criticism: Nakamura Mitsuo's Literary History, Atsuko Ueda Chapter 5: Small Hopes and a Terror: Kat Sh ichi's and Mori Arimasa's 1955 Return from France, Doug Slaymaker Chapter 6: Language and the People: The Amateur Writing Subject in Kindai bungaku, Shin Nihon bungaku, and Shis no kagaku, Richi Sakakibara, translated by Atsuko Ueda Part III: Continuity and Discontinuity: Subjective Rupture and Dislocation Chapter 7: Temporalities of Ruin: Shiina Rinz and the Subject of Tenk , Seiji M. Lippit Chapter 8: Literature at War's End: The Prosecution of Writers in Bungaku jihy , James Dorsey Chapter 9: From the God of Literature to War Criminal: The Media and the Shifting Image of Yokomitsu Riichi from Prewar and Wartime to the Postwar Era, Toeda Hirokazu, translated by Atsuko Ueda
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