Censorship is one of the key controversies debated by Renaissance historians and literary critics. Commentators are divided on a number of questions. Was there once a concerted plan to censor all material hostile to the status quo? Or did authorities only intervene in periods of acute crisis? Did they actually read the material referred to them? This is the first collection that brings together the key figures in the field and includes essays by Richard Burt, Janet Clare, Cyndia Clegg, Richard Dutton, Richard McCabe and Annabel Patterson.
Censorship is one of the key controversies debated by Renaissance historians and literary critics. Commentators are divided on a number of questions. Was there once a concerted plan to censor all material hostile to the status quo? Or did authorities only intervene in periods of acute crisis? Did they actually read the material referred to them? This is the first collection that brings together the key figures in the field and includes essays by Richard Burt, Janet Clare, Cyndia Clegg, Richard Dutton, Richard McCabe and Annabel Patterson.
RICHARD BURT Professor of English, University of Massachusetts, Amherst JANET CLARE Lecturer in English, University College, Dublin RICHARD DUTTON Professor of English, Lancaster University BARBARA FREEDMAN Associate Professor, Graduate Program in Theatre, Tufts University ARNOLD HUNT Lecturer, University of Durham DAVID LOADES Professor of History, University of Wales, Bangor STEPHEN LONGSTAFFE Lecturer in English and Drama, Saint Martin's College, Lancaster RICHARD McCABE Fellow, Merton College, Oxford ANNABEL PATTERSON Professor of English, Yale University ALISON SHELL Lecturer, Department of English Studies, University of Durham
Inhaltsangabe
Preface List of Abbreviations Notes on the Contributors Chronology Introduction: The Politics of Early Modern Censorship; A.Hadfield PART ONE: THEATRICAL CENSORSHIP Theatrical Censorship and Negotiation; J.Clare Puritan Tribulation and the Protestant History Play; S.Longstaffe Elizabethan Protest, Disorder, and 'Precautionary' Playing Restraints: Social Control Masquerading as Plague Control; B.Freedman The Censorship of A Gate at Chess ; R.Dutton PART TWO: RELIGIOUS CENSORSHIP Right Puissance and Terrible Priests: The Role of the Anglican Church in Elizabethan State Censorship; R.McCabe What is a Catholic Poem?: Explicitness and Censorship in Tudor and Stuart Religious Verse; A.Shell John Foxe and the Godly Commonwealth, 1563-1641; D.Loades Archbishop Laud and the Licensing of Books for the Press; A.Hunt PART THREE: POLITICAL CENSORSHIP Censoring Ireland in Early Modern England; A.Hadfield Burning Books as Propaganda in Jacobean England; C.Clegg The Censorship of Andrew Marvell; A.Patterson AFTERWORD Doing the Queen: Gender, Sexuality, and the Censorship of Elizabeth's I's Royal Image from Renaissance Portraiture to Twentieth-Century Mass Media; R.Burt Index
Preface List of Abbreviations Notes on the Contributors Chronology Introduction: The Politics of Early Modern Censorship; A.Hadfield PART ONE: THEATRICAL CENSORSHIP Theatrical Censorship and Negotiation; J.Clare Puritan Tribulation and the Protestant History Play; S.Longstaffe Elizabethan Protest, Disorder, and 'Precautionary' Playing Restraints: Social Control Masquerading as Plague Control; B.Freedman The Censorship of A Gate at Chess ; R.Dutton PART TWO: RELIGIOUS CENSORSHIP Right Puissance and Terrible Priests: The Role of the Anglican Church in Elizabethan State Censorship; R.McCabe What is a Catholic Poem?: Explicitness and Censorship in Tudor and Stuart Religious Verse; A.Shell John Foxe and the Godly Commonwealth, 1563-1641; D.Loades Archbishop Laud and the Licensing of Books for the Press; A.Hunt PART THREE: POLITICAL CENSORSHIP Censoring Ireland in Early Modern England; A.Hadfield Burning Books as Propaganda in Jacobean England; C.Clegg The Censorship of Andrew Marvell; A.Patterson AFTERWORD Doing the Queen: Gender, Sexuality, and the Censorship of Elizabeth's I's Royal Image from Renaissance Portraiture to Twentieth-Century Mass Media; R.Burt Index
Rezensionen
'...authoritative within the field.' - R.S.White, English, Communication and Cultural Studies, The University of Western Australia, Parergon
'This collection of essays makes an important contribution to the history of censorship, justly described by its editor Andrew Hadfield as 'one of the most exciting and controversial subjects in literary history'...These essays, together with excellent work by scholars newer to the field, advance and refine the still-developing picture of Renaissance censorship.' - Times Literary Supplement
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