Andere Kunden interessierten sich auch für
![Writing Marginality in Modern French Literature]( "Writing Marginality in Modern French Literature")
Writing Marginality in Modern French Literature49,99 €![Gender, Rhetoric, and Print Culture in French Renaissance Writing]( "Gender, Rhetoric, and Print Culture in French Renaissance Writing")
Gender, Rhetoric, and Print Culture in French Renaissance Writing49,99 €![The Object of Literature]( "The Object of Literature")
The Object of Literature46,99 €![From Montaigne to Molière]( "From Montaigne to Molière")
From Montaigne to Molière35,99 €![African Literature in French]( "African Literature in French")
African Literature in French62,99 €![Histoire Des Oeuvres De H. De Balzac]( "Histoire Des Oeuvres De H. De Balzac")
Histoire Des Oeuvres De H. De Balzac28,99 €![Sentimental Narrative and the Social Order in France, 1760 1820]( "Sentimental Narrative and the Social Order in France, 1760 1820")
Sentimental Narrative and the Social Order in France, 1760 182050,99 €
A study of the significance of curiosities and collecting in nineteenth- and early twentieth-century French literature.
This book addresses the issues of collecting, consuming, classifying and describing the curiosities, antiques and objets d'art that proliferated in French literary texts during the last decades of the nineteenth century. After Balzac made such issues significant in canonical literature, the Goncourt brothers, Huysmans, Mallarmé and Maupassant celebrated their golden age. Flaubert and Zola scorned them. Rachilde and Lorrain perverted them. Proust commemorated their last moments of glory. Focusing on the bibelot (the modern French term for knick-knack, curiosity or other collectible), Janell Watson shows how the sudden prominence given to curiosities and collecting in nineteenth-century literature signals a massive change in attitudes to the world of goods, which in turn restructured the literary text according to the practical logic of daily life, calling into question established scholarly notions of order. Her study makes an important contribution to the literary history of material culture.
Review quote:
"a complex and fascinating story...a memorable book that is indispensable for readers interested in the study of consumer culture and in the connection between realism and cultural production in the nineteenth century."
L'Esprit Createur
Table of contents:
Acknowledgments; Introduction; 1. The bibelot: a nineteenth-century object; 2. The logic(s) of material culture: imitation, accumulation, and mobility; 3. The fashionable artistic interior: social (re)encoding in the domestic sphere; 4. Flaubert's 'Musées reçus': Bouvard and Pécuchet's consumerist epistemology; 5. Narrate, describe, or catalogue? The inventory form in Balzac, the Goncourts, and Huysmans; 6. The parlour of critical theory: Reading dwelling space across disciplines; 7. Rearranging the Oedipus: fantastic and decadent floor-plans in Gautier, Maupassant, Lorrain, and Rachilde; Notes; Bibliography; Index.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
This book addresses the issues of collecting, consuming, classifying and describing the curiosities, antiques and objets d'art that proliferated in French literary texts during the last decades of the nineteenth century. After Balzac made such issues significant in canonical literature, the Goncourt brothers, Huysmans, Mallarmé and Maupassant celebrated their golden age. Flaubert and Zola scorned them. Rachilde and Lorrain perverted them. Proust commemorated their last moments of glory. Focusing on the bibelot (the modern French term for knick-knack, curiosity or other collectible), Janell Watson shows how the sudden prominence given to curiosities and collecting in nineteenth-century literature signals a massive change in attitudes to the world of goods, which in turn restructured the literary text according to the practical logic of daily life, calling into question established scholarly notions of order. Her study makes an important contribution to the literary history of material culture.
Review quote:
"a complex and fascinating story...a memorable book that is indispensable for readers interested in the study of consumer culture and in the connection between realism and cultural production in the nineteenth century."
L'Esprit Createur
Table of contents:
Acknowledgments; Introduction; 1. The bibelot: a nineteenth-century object; 2. The logic(s) of material culture: imitation, accumulation, and mobility; 3. The fashionable artistic interior: social (re)encoding in the domestic sphere; 4. Flaubert's 'Musées reçus': Bouvard and Pécuchet's consumerist epistemology; 5. Narrate, describe, or catalogue? The inventory form in Balzac, the Goncourts, and Huysmans; 6. The parlour of critical theory: Reading dwelling space across disciplines; 7. Rearranging the Oedipus: fantastic and decadent floor-plans in Gautier, Maupassant, Lorrain, and Rachilde; Notes; Bibliography; Index.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.