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These are reflections on the practice of music and literature, in particular what slam, rap and poetry can bring to human societies. Here, we present a theoretical analysis of slam and rap and their poetic, cultural and social implications. An analysis highlighting the analogy between rap, slam and poetry in the light of the philosophy of ordinary language in artistic creations. Musical art appears to be an exercise in style that is interwoven with poetry. Rap and slam, at their most expressive, are seen as the requisitioning of a language determined by their use, inscribed in a very…mehr

Produktbeschreibung
These are reflections on the practice of music and literature, in particular what slam, rap and poetry can bring to human societies. Here, we present a theoretical analysis of slam and rap and their poetic, cultural and social implications. An analysis highlighting the analogy between rap, slam and poetry in the light of the philosophy of ordinary language in artistic creations. Musical art appears to be an exercise in style that is interwoven with poetry. Rap and slam, at their most expressive, are seen as the requisitioning of a language determined by their use, inscribed in a very particular social context, and their poetic development. Whether in their depth of meaning or their aesthetic value, rap, slam and poetry are sister arts whose mother is literature.
Autorenporträt
A teacher by training, Arthur Rimadoum was born on January 01, 1989 in Doba in southern Chad. He is the author of a short story entitled Echos sordides, which won sixth prize in the "Covid19 : Nouvelle de chez moi" writing competition organized by La Francophonie and UNESCO in 2020. In addition to teaching, Arthur is a screenwriter and film actor.