Notes on contributors; Introduction: 'Warre is all the world about' Thomas Healy and Jonathan Sawday; Part I. Definitions and Premonitions: 1. The very name of the game: theories of order and disorder Annabel Patterson; 2. A troubled Arcadia Graham Parry; Part II. Engagement or Retreat: 3. Politics and the masque: Salmacida Spolia Martin Butler; 4. Exploring the language of devotion in the English revolution Helen Wilcox; Part III. Truth and the Self: 5. In the wars of truth: violence, true knowledge and power in Milton and Hobbes Francis Barker; 6. 'Some rousing motions': the plurality of Miltonic ideologies Thomas N. Corns; 7. 'Mysteriously divided': Civil War, madness and the divided self Jonathan Sawday; Part IV. Interpreting the Present: 8. Marvell's 'Horatian Ode' and the politics of genre David Norbrook; 9. 'Dark all without it knits': vision and authority in Marvell's Upon Appleton House Thomas Healy; 10. History digested: opera and colonialism in the 1650s Susan J. Wiseman; 11. Cheap and common animals: the English anatomy of Ireland in the seventeenth century Patricia Coughlan; Part V. Aftermath: 12. 'The Colonel's Shadow': Lucy Hutchinson, women's writing, and the Civil War N. H. Keeble; 13. Exporting enthusiasm: John Perrot and the Quaker epic Nigel Smith; Index.
Notes on contributors; Introduction: 'Warre is all the world about' Thomas Healy and Jonathan Sawday; Part I. Definitions and Premonitions: 1. The very name of the game: theories of order and disorder Annabel Patterson; 2. A troubled Arcadia Graham Parry; Part II. Engagement or Retreat: 3. Politics and the masque: Salmacida Spolia Martin Butler; 4. Exploring the language of devotion in the English revolution Helen Wilcox; Part III. Truth and the Self: 5. In the wars of truth: violence, true knowledge and power in Milton and Hobbes Francis Barker; 6. 'Some rousing motions': the plurality of Miltonic ideologies Thomas N. Corns; 7. 'Mysteriously divided': Civil War, madness and the divided self Jonathan Sawday; Part IV. Interpreting the Present: 8. Marvell's 'Horatian Ode' and the politics of genre David Norbrook; 9. 'Dark all without it knits': vision and authority in Marvell's Upon Appleton House Thomas Healy; 10. History digested: opera and colonialism in the 1650s Susan J. Wiseman; 11. Cheap and common animals: the English anatomy of Ireland in the seventeenth century Patricia Coughlan; Part V. Aftermath: 12. 'The Colonel's Shadow': Lucy Hutchinson, women's writing, and the Civil War N. H. Keeble; 13. Exporting enthusiasm: John Perrot and the Quaker epic Nigel Smith; Index.
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