On the basis of institutional and poetological analyses of legal trials concerning literature held in South Africa during the period 1910-2010, this study describes how the battles fought in and around the courts between literary, judicial, and executive elites eventually led to a constitutional exceptio artis (artistic freedom) for literature.
On the basis of institutional and poetological analyses of legal trials concerning literature held in South Africa during the period 1910-2010, this study describes how the battles fought in and around the courts between literary, judicial, and executive elites eventually led to a constitutional exceptio artis (artistic freedom) for literature.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
Produktdetails
The Fairleigh Dickinson University Press Series in Law, Culture, and the Humanities
Ted Laros is assistant professor of literary studies at the Open University of the Netherlands.
Inhaltsangabe
Acknowledgments List of Abbreviations Introduction: Literature in Law Part I: Legal Groundwork, 1910-55 Chapter One: Preparing the Ground for Autonomization Part II: Hesitant Legal Recognition, 1955-75 Chapter Two: The 1965 Trials: Wilbur Smith's When the Lion Feeds andCan Themba's "The Fugitives" Chapter Three: The 1974 Trial of André Brink's Kennis van die Aand Part III: Despite Rollback Efforts, Ongoing Recognition, 1975-80 Chapter Four: The 1978 Case of Etienne Leroux's Magersfontein, O Magersfontein! Part IV: Decisive Legal Recognition, 1980-2010 Chapter Five: (The Road to) Constitutional Autonomy Chapter Six: Conclusion Works Cited Index
Acknowledgments List of Abbreviations Introduction: Literature in Law Part I: Legal Groundwork, 1910-55 Chapter One: Preparing the Ground for Autonomization Part II: Hesitant Legal Recognition, 1955-75 Chapter Two: The 1965 Trials: Wilbur Smith's When the Lion Feeds andCan Themba's "The Fugitives" Chapter Three: The 1974 Trial of André Brink's Kennis van die Aand Part III: Despite Rollback Efforts, Ongoing Recognition, 1975-80 Chapter Four: The 1978 Case of Etienne Leroux's Magersfontein, O Magersfontein! Part IV: Decisive Legal Recognition, 1980-2010 Chapter Five: (The Road to) Constitutional Autonomy Chapter Six: Conclusion Works Cited Index
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