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This is the first major collection of essays specifically to address the impact of visual technologies on the production of literature in the twentieth-century. Literature and Visual Technologies investigates the manifold effects which a visual century has wrought upon literary conventions. From the influence of Mutoscope parlours on Joyce's fiction, to the interrelation between Peter Greenaway's A TV Dante , the collection consists of an integrated series of high-level intellectual engagements with a hundred years of cultural revolution, and covers the whole twentieth-century, from silent to digital film.…mehr

Produktbeschreibung
This is the first major collection of essays specifically to address the impact of visual technologies on the production of literature in the twentieth-century. Literature and Visual Technologies investigates the manifold effects which a visual century has wrought upon literary conventions. From the influence of Mutoscope parlours on Joyce's fiction, to the interrelation between Peter Greenaway's A TV Dante , the collection consists of an integrated series of high-level intellectual engagements with a hundred years of cultural revolution, and covers the whole twentieth-century, from silent to digital film.
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Autorenporträt
TIM ARMSTRONG Reader in Modern English and American Literature, Royal Holloway, University of London RACHEL CONNOR Lecturer, Department of English Literature, University of Glasgow PAULA GEYH Assistant Professor of English, Yeshiva University ELENA GUALTIERI Lecturer in English, University of Sussex COLIN MACCABE Distinguished Professor of English and Film, University of Pittsburgh, USA LAURA MARCUS Reader in English, University of Sussex MICHAEL NORTH Professor of English, University of California, Los Angeles ARKADY PLOTNITSKY Professor of English and University Faculty Scholar, Purdue University ERIC ROBERTSON Senior Lecturer in French, Royal Holloway, University of London KEITH WILLIAMS Senior Lecturer in English, University of Dundee