Richard Menke links media innovation to imaginative literature, making the case for writers from Whitman to Twain, Kipling to Bram Stoker and Marie Corelli as the era's media theorists. This book will appeal to scholars, students and researchers of nineteenth-century literature and culture, the history of printing, and media and technology.
Richard Menke links media innovation to imaginative literature, making the case for writers from Whitman to Twain, Kipling to Bram Stoker and Marie Corelli as the era's media theorists. This book will appeal to scholars, students and researchers of nineteenth-century literature and culture, the history of printing, and media and technology.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
Produktdetails
Cambridge Studies in Nineteenth-Century Literature and Culture
Richard Menke is an associate professor of English at the University of Georgia. He is the author of Telegraphic Realism: Victorian Fiction and Other Information Systems (2008) and a three-time recipient of essay prizes from the Society for Literature, Science, and the Arts.
Inhaltsangabe
Introduction inventing media and their meanings; 1. A message on all channels the unification of humanity; 2. Fictions of the Victorian telephone the medium is the media; 3. New media, new journalism, New Grub Street unsanctified typography; 4. The sinking of the triple decker format wars; 5. Writers of books the unmediated novel; 6. Words fail occulting media into information; 7. A Connecticut Yankee's media wars from orality to obliteracy; After words the end of the book.
Introduction inventing media and their meanings; 1. A message on all channels the unification of humanity; 2. Fictions of the Victorian telephone the medium is the media; 3. New media, new journalism, New Grub Street unsanctified typography; 4. The sinking of the triple decker format wars; 5. Writers of books the unmediated novel; 6. Words fail occulting media into information; 7. A Connecticut Yankee's media wars from orality to obliteracy; After words the end of the book.
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