John Brackett examines how live recordingsâ from the groupâ s official releases to fan-produced tapes, bootlegs to â Betty Boards,â and Dickâ s Picks to From the Vaultâ have shaped the general history and popular mythology of the Grateful Dead for over fifty years.
John Brackett examines how live recordingsâ from the groupâ s official releases to fan-produced tapes, bootlegs to â Betty Boards,â and Dickâ s Picks to From the Vaultâ have shaped the general history and popular mythology of the Grateful Dead for over fifty years.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
John Brackett is an independent scholar and author of John Zorn: Tradition and Transgression, and coeditor of The Routledge Companion to Popular Music Analysis: Expanding Approaches.
Inhaltsangabe
List of Illustrations xi Acknowledgments xiii Introduction. Becoming Live 1 1. “To Capture That Special Feeling”: Recorded (and Recording) Liveness (The Warner Bros. Years, 1966–1973) 31 2. “The Next Best Thing to Being There”: Tapes, Taping, and an Alternative Aesthetic of Recorded Liveness 61 3. A Time of Reckoning: New Approaches to Producing and Marketing Liveness (The 1980s, Part 1) 85 4. “That Quintessential Spirit of the Band”: “Touch of Grey,” the “Betty Boards,” and the Rebirth of the Dead (The 1980s, Part 2) 105 5. “The Live Feel of a Tape”: From the Vault, Dick’s Picks, and the Language(s) of Liveness 125 6. Post-Dead: “Obstinately Physical,” “Vaporous Cargo,” and the Material Remains of Liveness 152 Conclusion: Memento Mori 169 Notes 177 Bibliography 201 Index 211
List of Illustrations xi Acknowledgments xiii Introduction. Becoming Live 1 1. “To Capture That Special Feeling”: Recorded (and Recording) Liveness (The Warner Bros. Years, 1966–1973) 31 2. “The Next Best Thing to Being There”: Tapes, Taping, and an Alternative Aesthetic of Recorded Liveness 61 3. A Time of Reckoning: New Approaches to Producing and Marketing Liveness (The 1980s, Part 1) 85 4. “That Quintessential Spirit of the Band”: “Touch of Grey,” the “Betty Boards,” and the Rebirth of the Dead (The 1980s, Part 2) 105 5. “The Live Feel of a Tape”: From the Vault, Dick’s Picks, and the Language(s) of Liveness 125 6. Post-Dead: “Obstinately Physical,” “Vaporous Cargo,” and the Material Remains of Liveness 152 Conclusion: Memento Mori 169 Notes 177 Bibliography 201 Index 211
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