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During the 20th century, electronic technology enabled the explosive development of new tools for the production, performance, dissemination and conservation of music. The era of the mechanical reproduction of music has opened up new perspectives, which have contributed to the revitalisation of the performerâ s role and the concept of music as pe

Produktbeschreibung
During the 20th century, electronic technology enabled the explosive development of new tools for the production, performance, dissemination and conservation of music. The era of the mechanical reproduction of music has opened up new perspectives, which have contributed to the revitalisation of the performerâ s role and the concept of music as pe
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Autorenporträt
Friedemann Sallis is Professor and Director of Graduate Studies in the Music Department at the University of Calgary, Canada. Valentina Bertolani is currently pursuing a PhD in musicology at the University of Calgary, Canada. Jan Burle is a scientist at Jülich Centre for Neutron Science, Forschungszentrum Jülich GmbH, Outstation at MLZ in Garching, Germany. Laura Zattra is a research fellow at Institut de Recherche et Coordination Acoustique/Musique (IRCAM) in Paris, France.