Living Genres in Late Modernity - Kronengold, Charles
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  • Broschiertes Buch

"Some of the sharpest and most intelligent writing I have read in years, radically enriching my thinking on how popular music works. I have never before read a work on music that so successfully tackles issues I've known at some subconscious level were key but that I've never seen made so explicit."--Will Straw, Professor of Urban Media Studies, McGill University "Combining an encyclopedic knowledge of repertoires with a conversational tone, Charles Kronengold is one of the best writers in music studies these days--and it is no exaggeration to say that. This book is a major reassessment of the…mehr

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Produktbeschreibung
"Some of the sharpest and most intelligent writing I have read in years, radically enriching my thinking on how popular music works. I have never before read a work on music that so successfully tackles issues I've known at some subconscious level were key but that I've never seen made so explicit."--Will Straw, Professor of Urban Media Studies, McGill University "Combining an encyclopedic knowledge of repertoires with a conversational tone, Charles Kronengold is one of the best writers in music studies these days--and it is no exaggeration to say that. This book is a major reassessment of the role of genre in musical practice and experience."--Eric Drott, Associate Professor of Music Theory, University of Texas at Austin
Autorenporträt
Charles Kronengold is Assistant Professor of Music at Stanford University and, with Adrian Daub, the author of The James Bond Songs: Pop Anthems of Late Capitalism.