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All the hard questions about human action are about what to include in a story, what can be left out, and how to characterize what gets included. A narrative selects from all the world's motions which ones are part of or relevant to an act, and so narratives give us what narratives have already shaped: the relation is circular. Many narratives can be told of an act, not all consistent. Some features of human action: - events "off-stage" determine what's happening "on-stage"; - many actions ``pass through'' motions in view; - an act can be changed after the fact; - action presupposes language;…mehr

Produktbeschreibung
All the hard questions about human action are about what to include in a story, what can be left out, and how to characterize what gets included. A narrative selects from all the world's motions which ones are part of or relevant to an act, and so narratives give us what narratives have already shaped: the relation is circular. Many narratives can be told of an act, not all consistent. Some features of human action: - events "off-stage" determine what's happening "on-stage"; - many actions ``pass through'' motions in view; - an act can be changed after the fact; - action presupposes language; - what an act is can be highly ambiguous; - we judge acts (and narratives) because we have a stake in them.
Autorenporträt
Andrew P. Porter is a retired physicist and adjunct instructor in philosophy and theology in the Graduate Theological Union and other schools in the San Francisco Bay Area. Among his earlier books are Living in Spin, Basic Concepts of Biblical Religion, Unwelcome Good News, and others.