This brings together Ien Ang's recent writings on television audiences and, in response to recent criticisms of cultural studies, argues that it is possible to study audience pleasures and popular television in a way that is not naively populist.
This brings together Ien Ang's recent writings on television audiences and, in response to recent criticisms of cultural studies, argues that it is possible to study audience pleasures and popular television in a way that is not naively populist.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Introduction Part 1 Rethinking audiences Chapter 1 The battle between television and its audiences Chapter 2 On the politics of empirical audience research Chapter 3 New technologies, audience measurement and the tactics of television consumption Chapter 4 Ethnography and radical contextualism in audience studies Part 2 Gendered audiences Chapter 5 Melodramatic identifications Chapter 6 Feminist desire and female pleasure Chapter 7 Gender and/in media consumption, Joke Hermes Part 3 Audiences and global culture Chapter 8 Cultural studies, media reception and the transnational media system Chapter 9 Global media/local meaning Chapter 10 In the realm of uncertainty
Introduction Part 1 Rethinking audiences Chapter 1 The battle between television and its audiences Chapter 2 On the politics of empirical audience research Chapter 3 New technologies, audience measurement and the tactics of television consumption Chapter 4 Ethnography and radical contextualism in audience studies Part 2 Gendered audiences Chapter 5 Melodramatic identifications Chapter 6 Feminist desire and female pleasure Chapter 7 Gender and/in media consumption, Joke Hermes Part 3 Audiences and global culture Chapter 8 Cultural studies, media reception and the transnational media system Chapter 9 Global media/local meaning Chapter 10 In the realm of uncertainty
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