This study explores the dialogue between the biographical and authorial selves of the writer Ruskin Bond, whose liminal subjectivity is informed by the fantasies of space and time.
This study explores the dialogue between the biographical and authorial selves of the writer Ruskin Bond, whose liminal subjectivity is informed by the fantasies of space and time.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Debashis Bandyopadhyay is Associate Professor of English at Presidency University, Kolkata, where his research interests include ethnic and African American literature, 1950s British and American drama, psychoanalytic interpretation and fantasy narratives, and Shakespeare and the literary public.
Inhaltsangabe
Acknowledgements Introduction: Reading ‘Self’ in a Semi-Autobiographical Author Sense of Exile: An Anglo-Indian Context Text versus Context: Space and Time in ‘The Room on the Roof’ and ‘Vagrants in the Valley’ Quest for an Authentic Literary Grain: Two Versions of ‘The Eyes are not Here’ Conscious/Unconscious Dialectic: Stories of the Mid-Career Invoking History to Resist Drives: Tension Revisited in ‘A Flight of Pigeons’ Self in Abject Space: ‘The Playing Fields of Shimla’ Conclusion: Self in Liminal Space References Index
Acknowledgements Introduction: Reading ‘Self’ in a Semi-Autobiographical Author Sense of Exile: An Anglo-Indian Context Text versus Context: Space and Time in ‘The Room on the Roof’ and ‘Vagrants in the Valley’ Quest for an Authentic Literary Grain: Two Versions of ‘The Eyes are not Here’ Conscious/Unconscious Dialectic: Stories of the Mid-Career Invoking History to Resist Drives: Tension Revisited in ‘A Flight of Pigeons’ Self in Abject Space: ‘The Playing Fields of Shimla’ Conclusion: Self in Liminal Space References Index
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