This book locates the voice in cinema in different national and transnational contexts, to explore how the critical approaches to the voice as well as the practices of sound design, technologies and even reception are often grounded in cultural specificity, to present readings which challenge traditional theories of the voice in film.
This book locates the voice in cinema in different national and transnational contexts, to explore how the critical approaches to the voice as well as the practices of sound design, technologies and even reception are often grounded in cultural specificity, to present readings which challenge traditional theories of the voice in film.
Tom Whittaker is Senior Lecturer in Film and Spanish Cultural Studies at the University of Liverpool. He is the author of The Films of Elías Querejeta: A Producer of Landscapes (2011) and co-editor of Performance and Spanish Film (2016).; Sarah Wright is Reader in Hispanic Studies at Royal Holloway, University of London. She is the author of The Trickster-Function in the Theatre of García Lorca (2000), Tales of Seduction: The Figure of Don Juan in Spanish Culture (2007) and The Child in Spanish Cinema (2013).
Inhaltsangabe
* Introduction: Tom Whittaker and Sarah Wright * 1. Rey Chow, The Writing Voice in Cinema: A Preliminary Discussion, Rey Chow * 2. Jennifer Fleeger, Tito Schipa, Italian Film Sound, and Opera's Legacy on Screen * 3. Christine Ehrick, The Voice of Argentina: Gender, Humour and the National Soundscape in the Film Comedy of Niní Marshall * 4. Pavitra Sundar, Gender, Bawdiness, and Bodily Voices: Bombay Cinema's Audiovisual Contract and the 'Ethnic' Woman * 5. Colleen Montgomery, Double Doublage: Vocal Performance in the French Dubbed Versions of Pixar's Toy Story and Cars * 6. Rayna Denison ,Anime's Star Voices: Voice Actor (Seiyu) Performance and Stardom in Japan * 7. Tom Whittaker, Woody's Spanish "Double": Vocal Performance, Ventriloquism and the Sound of Dubbing * 8. Tessa Dwyer, Mad Max, Accented English and Same-Language Dubbing * 9. Catherine O'Rawe, Anna Magnani: Voice, Body, Accent * 10. Lisa Shaw. Carmen Miranda's Voice in Hollywood * 11. Nessa Johnston. "Feeling the Voice: Embodied Aural Encounters in Under the Bombs (Philippe Aractangi, 2007) * 12. Alexander Fisher. Vocal Spaces and Oral Traces: Voice, Orality, and Ousmane Sembene's Early Postcolonial Critique * 13. Negar Mottadeheh. Crude Extractions: The Voice in Iranian Cinema * 14. Sarah Wright, "Spectral Voices and Resonant Bodies in Fernando Guzzoni's Dogflesh (Carne de perro, 2012) * 15. Nikki J. Y. Lee and Julian Stringer, Snowpiercer: Sound Designable Voices and the South Korean Global Film * 16. Albertine Fox, Performing Through Space: overflow, displacement, and the voice in Keep Your Right Up: A Place on Earth (Jean-Luc Godard, 1987) * 17. Davina Quinlivan. A Dark and Shiny Place': the Disembodied Female Voice, Irigarayan Subjectivity and the 'Political Erotics' of Hearing Her (Spike Jonze, 2013)
* Introduction: Tom Whittaker and Sarah Wright * 1. Rey Chow, The Writing Voice in Cinema: A Preliminary Discussion, Rey Chow * 2. Jennifer Fleeger, Tito Schipa, Italian Film Sound, and Opera's Legacy on Screen * 3. Christine Ehrick, The Voice of Argentina: Gender, Humour and the National Soundscape in the Film Comedy of Niní Marshall * 4. Pavitra Sundar, Gender, Bawdiness, and Bodily Voices: Bombay Cinema's Audiovisual Contract and the 'Ethnic' Woman * 5. Colleen Montgomery, Double Doublage: Vocal Performance in the French Dubbed Versions of Pixar's Toy Story and Cars * 6. Rayna Denison ,Anime's Star Voices: Voice Actor (Seiyu) Performance and Stardom in Japan * 7. Tom Whittaker, Woody's Spanish "Double": Vocal Performance, Ventriloquism and the Sound of Dubbing * 8. Tessa Dwyer, Mad Max, Accented English and Same-Language Dubbing * 9. Catherine O'Rawe, Anna Magnani: Voice, Body, Accent * 10. Lisa Shaw. Carmen Miranda's Voice in Hollywood * 11. Nessa Johnston. "Feeling the Voice: Embodied Aural Encounters in Under the Bombs (Philippe Aractangi, 2007) * 12. Alexander Fisher. Vocal Spaces and Oral Traces: Voice, Orality, and Ousmane Sembene's Early Postcolonial Critique * 13. Negar Mottadeheh. Crude Extractions: The Voice in Iranian Cinema * 14. Sarah Wright, "Spectral Voices and Resonant Bodies in Fernando Guzzoni's Dogflesh (Carne de perro, 2012) * 15. Nikki J. Y. Lee and Julian Stringer, Snowpiercer: Sound Designable Voices and the South Korean Global Film * 16. Albertine Fox, Performing Through Space: overflow, displacement, and the voice in Keep Your Right Up: A Place on Earth (Jean-Luc Godard, 1987) * 17. Davina Quinlivan. A Dark and Shiny Place': the Disembodied Female Voice, Irigarayan Subjectivity and the 'Political Erotics' of Hearing Her (Spike Jonze, 2013)
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