Where do Canadians encounter religious meaning? Not where they used to! In ten lively and wide-ranging essays, William Closson James examines various derivations of the sacred in contemporary Canadian culture. Most of the essays focus on the religious aspects of modern Canadian English fiction - for example, in essays on the fiction of Hugh MacLennan, Morley Callaghan, Margaret Atwood and Joy Kogawa. But James also explores other, non-literary events and activities in which Canadians have found something transcendant or revelatory. Each of the chapters in Locations of the Sacred can be read…mehr
Where do Canadians encounter religious meaning? Not where they used to! In ten lively and wide-ranging essays, William Closson James examines various derivations of the sacred in contemporary Canadian culture. Most of the essays focus on the religious aspects of modern Canadian English fiction - for example, in essays on the fiction of Hugh MacLennan, Morley Callaghan, Margaret Atwood and Joy Kogawa. But James also explores other, non-literary events and activities in which Canadians have found something transcendant or revelatory. Each of the chapters in Locations of the Sacred can be read independently as a discrete analysis of its subject. Taken as a whole, the essays make up a powerful argument for a new way of looking at the religious in contemporary Canada - not in the traditional ways of being religious, but in activities and locations previously thought to be "secular." Thus, the domains and modes of the religious are expanded, not restricted.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
William Closson James was professor at Queen's University in Kingston in the Department of Religious Studies.
Inhaltsangabe
Table of Contents for Locations of the Sacred: Essays on Religion, Literature, and Canadian Culture by William Closson James Preface Acknowledgments Introduction Chapter 1: Dislocating the Sacred: The Protestant Voice The Protestant Voice A Protestant Trio: Davies, MacLennan, and Laurence Imprisonment and Liberation How Is Canadian Literature "Religious"? The Protestant Principle in English-Canadian Fiction A Tentative Conclusion Chapter 2: Relocating the Sacred: The Human Ground of Transcendence Eternity and Transcendence "Eternity" in Callaghan and MacLennan The Ordinary and the Sacred in Mitchell and Munro Divining the Depths in Davies, Laurence, and Atwood Conclusion Chapter 3: Nature as the Locale of the Sacred Native and Christian Attitudes Some Typical Canadian Views Geography over History A New Direction Chapter 4: In Quest of the Sacred: The Canoe Trip The Quest Pattern Stages of the Quest Transformative Quest and Canadian Character The Canoe Trip as Initiation Rite Conclusion Chapter 5: Sacred Death: The Belcher Islands Massacre Introduction Geographical and Religious Backgrounds Narrative of the Events The Contemporary Reaction to the Murders Analysis A Personal Epilogue Chapter 6: Theodicy and the Sacred: A. M. Klein and Hugh MacLennan Parallel Dislocations The Second Scroll as Theodicy The Watch that Ends the Night and Selfhood The Everyman and the Self Chaos into Cosmos Chapter 7: Love and the Sacred: The Ambiguities of Morley Callaghan's Such Is My Beloved Callaghan's "Certain Perceptions" The Two Conflicting Realms The Song of Songs: Love and the Sacred Conclusion: Incarnational Humanism Chapter 8: Sacred Passages: Native Symbols in Atwood and Engel The Female Initiation Pattern Atwood's Surfacing Engel's Bear Conclusion Chapter 9: Nordicity and the Sacred: The Journeys of Thomas York and Aritha van Herk The Fugitive The Spiritual Quest The Return to the South in Desireless "No End to This Road": Aritha van Herk Chapter 10: Mutuality and the Sacred: Joy Kogawa From Divine Abandonment to Human Solidarity Bread and Stones and Names in Obasan From Silence to Communion Conclusion References Index
Table of Contents for Locations of the Sacred: Essays on Religion, Literature, and Canadian Culture by William Closson James Preface Acknowledgments Introduction Chapter 1: Dislocating the Sacred: The Protestant Voice The Protestant Voice A Protestant Trio: Davies, MacLennan, and Laurence Imprisonment and Liberation How Is Canadian Literature "Religious"? The Protestant Principle in English-Canadian Fiction A Tentative Conclusion Chapter 2: Relocating the Sacred: The Human Ground of Transcendence Eternity and Transcendence "Eternity" in Callaghan and MacLennan The Ordinary and the Sacred in Mitchell and Munro Divining the Depths in Davies, Laurence, and Atwood Conclusion Chapter 3: Nature as the Locale of the Sacred Native and Christian Attitudes Some Typical Canadian Views Geography over History A New Direction Chapter 4: In Quest of the Sacred: The Canoe Trip The Quest Pattern Stages of the Quest Transformative Quest and Canadian Character The Canoe Trip as Initiation Rite Conclusion Chapter 5: Sacred Death: The Belcher Islands Massacre Introduction Geographical and Religious Backgrounds Narrative of the Events The Contemporary Reaction to the Murders Analysis A Personal Epilogue Chapter 6: Theodicy and the Sacred: A. M. Klein and Hugh MacLennan Parallel Dislocations The Second Scroll as Theodicy The Watch that Ends the Night and Selfhood The Everyman and the Self Chaos into Cosmos Chapter 7: Love and the Sacred: The Ambiguities of Morley Callaghan's Such Is My Beloved Callaghan's "Certain Perceptions" The Two Conflicting Realms The Song of Songs: Love and the Sacred Conclusion: Incarnational Humanism Chapter 8: Sacred Passages: Native Symbols in Atwood and Engel The Female Initiation Pattern Atwood's Surfacing Engel's Bear Conclusion Chapter 9: Nordicity and the Sacred: The Journeys of Thomas York and Aritha van Herk The Fugitive The Spiritual Quest The Return to the South in Desireless "No End to This Road": Aritha van Herk Chapter 10: Mutuality and the Sacred: Joy Kogawa From Divine Abandonment to Human Solidarity Bread and Stones and Names in Obasan From Silence to Communion Conclusion References Index
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