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The Logic of Filtering offers a media archaeological perspective on sound and music that develops a new analysis of the noise that technologies add to recorded sound. It shows that this noise is not a disturbance but a central characteristic of recorded music that shapes how listeners relate to it.

Produktbeschreibung
The Logic of Filtering offers a media archaeological perspective on sound and music that develops a new analysis of the noise that technologies add to recorded sound. It shows that this noise is not a disturbance but a central characteristic of recorded music that shapes how listeners relate to it.
Autorenporträt
Melle Jan Kromhout is an independent scholar working on the intersection of musicology, sound studies, and media studies. After completing his PhD at the Amsterdam School for Cultural Analysis at the University of Amsterdam, he worked as a postdoctoral research fellow at the Faculty of Music and Corpus Christi College, University of Cambridge.