'Spying at its most captivating and intricate' The Times 'Deighton has woven an intricate and satisfying plot, peopled it with convincing characters and even given a new twist to the spy story. But then he is a master of the form' Washington Post Long-suffering spy Bernard Samson has, against all the odds, enticed a Soviet agent to defect to London - but this proves to be the start of something even bigger. For he learns that there is treachery within his own Service, and no one is free from suspicion. To discover who really controls the game of spies, he must attempt a desperate gamble.…mehr
'Spying at its most captivating and intricate' The Times
'Deighton has woven an intricate and satisfying plot, peopled it with convincing characters and even given a new twist to the spy story. But then he is a master of the form' Washington Post
Long-suffering spy Bernard Samson has, against all the odds, enticed a Soviet agent to defect to London - but this proves to be the start of something even bigger. For he learns that there is treachery within his own Service, and no one is free from suspicion. To discover who really controls the game of spies, he must attempt a desperate gamble. As the Game, Set and Match trilogy reaches its shattering finale, who will make the winning move?
Len Deighton was born in 1929 in London. He did his national service in the RAF, went to the Royal College of Art and designed many book jackets, including the original UK edition of Jack Kerouac's On the Road. The enormous success of his first spy novel, The IPCRESS File (1962), was repeated in a remarkable sequence of books over the following decades. These varied from historical fiction (Bomber, perhaps his greatest novel) to dystopian alternative fiction (SS-GB) and a number of brilliant non-fiction books on the Second World War (Fighter, Blitzkrieg and Blood, Tears and Folly). His spy novels chart the twists and turns of Britain and the Cold War in ways which now give them a unique flavour. They preserve a world in which Europe contains many dictatorships, in which the personal can be ruined by the ideological and where the horrors of the Second World War are buried under only a very thin layer of soil. Deighton's fascination with technology, his sense of humour and his brilliant evocation of time and place make him one of the key British espionage writers, alongside John Buchan, Eric Ambler, Ian Fleming and John Le Carré.
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Once again Deighton has woven an intricate and satisfying plot, peopled it with convincing characters and even managed to give a new twist or two to the spy story. But then he is a master of the form. Washington Post
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