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Post-war Londoners managed to survive despite lost and broken relationships, war-damaged surroundings and food and clothes rationing. A strong sense of comradeship was found in the groups, clubs and other social bodies that evolved during this time, while exploiting one's individuality was also not forgotten. Materialism, heavy politics and checking whether one's words and actions fitted into a heavily prescribed 'correctness' were almost unknown factors, but despite this, there was less polarisation of thought and fanaticism. This autobiography goes into explicit details of childhood,…mehr

Produktbeschreibung
Post-war Londoners managed to survive despite lost and broken relationships, war-damaged surroundings and food and clothes rationing. A strong sense of comradeship was found in the groups, clubs and other social bodies that evolved during this time, while exploiting one's individuality was also not forgotten. Materialism, heavy politics and checking whether one's words and actions fitted into a heavily prescribed 'correctness' were almost unknown factors, but despite this, there was less polarisation of thought and fanaticism. This autobiography goes into explicit details of childhood, adolescence, family life, schools, churches, youth projects and the world of art in the 1940s, '50s and '60s. It also outlines an individual's finding and acceptance of the Christian faith.
Autorenporträt
Having passed threescore years and ten, and having spent two decades writing up memories of childhood and adolescence (mostly spent in post-war South West London), the author thought that she had material that might be of interest to others. Despite her self-confessed egotistical, opinionated style of writing, and despite displaying some immaturity and paranoia, she believes she has outlined a culture and lifestyle unique to London from 1945 to 1967 - the time between her birth and occupation. In her autobiography, she outlines the feelings she experienced and the scenes she witnessed as a rebellious child and teenager, and naïve young woman. Later commentary has been added in the form of historical and personal footnotes to put the work in context and add to its authenticity. She says she has been as factual as her memory will allow and is confident of 95% accuracy, but apologises if any incidents have been misunderstood or misinterpreted, and also apologises for her constant "whinges".