19,99 €
inkl. MwSt.
Versandfertig in über 4 Wochen
10 °P sammeln
- Broschiertes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
A collective biography of the women who shaped early country and western music
Andere Kunden interessierten sich auch für
- Stephanie Vander WelHillbilly Maidens, Okies, and Cowgirls31,99 €
- Murphy Hicks HenryPretty Good for a Girl: Women in Bluegrass26,99 €
- Neil V RosenbergBluegrass Odyssey26,99 €
- Stephen WadeThe Beautiful Music All Around Us24,99 €
- Country Music Hall of Fame and MuseumWe Could: The Songwriting Artistry of Felice and Boudleaux Bryant22,99 €
- Bill C MaloneSinging Cowboys and Musical Mountaineers27,99 €
- Patrick KavanaughThe Music of Angels15,99 €
-
-
-
A collective biography of the women who shaped early country and western music
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: University of Illinois Press
- Seitenzahl: 224
- Erscheinungstermin: 1. April 2008
- Englisch
- Abmessung: 230mm x 164mm x 14mm
- Gewicht: 363g
- ISBN-13: 9780252075247
- ISBN-10: 0252075242
- Artikelnr.: 23304132
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Verlag: University of Illinois Press
- Seitenzahl: 224
- Erscheinungstermin: 1. April 2008
- Englisch
- Abmessung: 230mm x 164mm x 14mm
- Gewicht: 363g
- ISBN-13: 9780252075247
- ISBN-10: 0252075242
- Artikelnr.: 23304132
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
Kristine M. McCusker is a professor of history at Middle Tennessee State University. She is a coeditor of Country Boys and Redneck Women: New Essays in Gender and Country Music.
Cover
Title
Copyright
Contents
Acknowledgments
Introduction: Women, the Barn Dance Radio Genre, and the Roots of the
Country and Western Music Industry
1. "Family Songs of Surpassing Sweetness" Vaudeville, Appalachia,
Technology, and the Emergence of Barn Dance Radio
2. "Bury Me beneath the Willow" Jeanne Muenich, Linda Parker, and the
Appearance of Southern Female Characters on Barn Dance Stages
3. "Hey, Hey, Hey, the Hayloft Gang Is Here" Lulu Belle Wiseman and the
Emergence of the Professional Radio Barn Dance
4. "Will There Be Any Yodelers in Heaven?" The Girls of the Golden West and
Selling the Stage
5. Banjo Pickin' Girl Lily May Ledford, the Roosevelts, and Constructing
National Identity
Illustrations
6. "Howdee! I'm Jes So Proud T'Be Here" Sarah Colley Cannon (Better Known
as Minnie Pearl), World War II, and the Grand Ole Opry
7. "Oh Carry Me Back to the Mountains" Rose Lee Maphis and Laboring on the
Air
Coda: Barn Dance Radio's New Friend, Loretta Lynn
Notes
Bibliography
Index
Back cover
Title
Copyright
Contents
Acknowledgments
Introduction: Women, the Barn Dance Radio Genre, and the Roots of the
Country and Western Music Industry
1. "Family Songs of Surpassing Sweetness" Vaudeville, Appalachia,
Technology, and the Emergence of Barn Dance Radio
2. "Bury Me beneath the Willow" Jeanne Muenich, Linda Parker, and the
Appearance of Southern Female Characters on Barn Dance Stages
3. "Hey, Hey, Hey, the Hayloft Gang Is Here" Lulu Belle Wiseman and the
Emergence of the Professional Radio Barn Dance
4. "Will There Be Any Yodelers in Heaven?" The Girls of the Golden West and
Selling the Stage
5. Banjo Pickin' Girl Lily May Ledford, the Roosevelts, and Constructing
National Identity
Illustrations
6. "Howdee! I'm Jes So Proud T'Be Here" Sarah Colley Cannon (Better Known
as Minnie Pearl), World War II, and the Grand Ole Opry
7. "Oh Carry Me Back to the Mountains" Rose Lee Maphis and Laboring on the
Air
Coda: Barn Dance Radio's New Friend, Loretta Lynn
Notes
Bibliography
Index
Back cover
Cover
Title
Copyright
Contents
Acknowledgments
Introduction: Women, the Barn Dance Radio Genre, and the Roots of the
Country and Western Music Industry
1. "Family Songs of Surpassing Sweetness" Vaudeville, Appalachia,
Technology, and the Emergence of Barn Dance Radio
2. "Bury Me beneath the Willow" Jeanne Muenich, Linda Parker, and the
Appearance of Southern Female Characters on Barn Dance Stages
3. "Hey, Hey, Hey, the Hayloft Gang Is Here" Lulu Belle Wiseman and the
Emergence of the Professional Radio Barn Dance
4. "Will There Be Any Yodelers in Heaven?" The Girls of the Golden West and
Selling the Stage
5. Banjo Pickin' Girl Lily May Ledford, the Roosevelts, and Constructing
National Identity
Illustrations
6. "Howdee! I'm Jes So Proud T'Be Here" Sarah Colley Cannon (Better Known
as Minnie Pearl), World War II, and the Grand Ole Opry
7. "Oh Carry Me Back to the Mountains" Rose Lee Maphis and Laboring on the
Air
Coda: Barn Dance Radio's New Friend, Loretta Lynn
Notes
Bibliography
Index
Back cover
Title
Copyright
Contents
Acknowledgments
Introduction: Women, the Barn Dance Radio Genre, and the Roots of the
Country and Western Music Industry
1. "Family Songs of Surpassing Sweetness" Vaudeville, Appalachia,
Technology, and the Emergence of Barn Dance Radio
2. "Bury Me beneath the Willow" Jeanne Muenich, Linda Parker, and the
Appearance of Southern Female Characters on Barn Dance Stages
3. "Hey, Hey, Hey, the Hayloft Gang Is Here" Lulu Belle Wiseman and the
Emergence of the Professional Radio Barn Dance
4. "Will There Be Any Yodelers in Heaven?" The Girls of the Golden West and
Selling the Stage
5. Banjo Pickin' Girl Lily May Ledford, the Roosevelts, and Constructing
National Identity
Illustrations
6. "Howdee! I'm Jes So Proud T'Be Here" Sarah Colley Cannon (Better Known
as Minnie Pearl), World War II, and the Grand Ole Opry
7. "Oh Carry Me Back to the Mountains" Rose Lee Maphis and Laboring on the
Air
Coda: Barn Dance Radio's New Friend, Loretta Lynn
Notes
Bibliography
Index
Back cover